The Name of This Band Is…

Righty-oh naughty blank page, off to Kingpin’s wall with you. Sector House 13 Dredd story written, poems – check. Patreon project on in three weeks. New novels coming. Lots of readers. New comic, at 44 pages or more, 33 laid down. No idea of the title – polling Facebook / Twitter next week. It’s an anthology, many different writers, thus far confirmed:

Danny Pongo – Titanic Theme Park, What we too, and Madeley Feeds Africa.
Dek Baker and Richard Barr – Wee Hard Man
Mark McCann – The Game is Rigged
John Robbins – Real Irish Avengers, The Belt
Laura Reich – Gus
Ben Stone – Sir Reginald
Dan Lester – Bush Dream

I will be drawing from my own writing my too. Hands hurt but  enjoying working with different creatives: one big comics hurrah. It debuts at the Enniskillen Comics Fest on May 6th, cost £3-£5. If you’d like to pre-order I’ll post it UK for £3.50 or digitally for £1.25. Paypal drew. luke@gmail with a note.

Meantime I’ll leave you with some excerpts of the thing to come, whatever it’s called. Words by Lester, Pongo and Robbins.

24.03.2017

Next week I start work on my first comic book in quite a long while. It’ll have new strips written by Richard Barr and John Robbins, maybe a few other people in the mix, we’ll see. It’ll debut at Enniskillen Comics Fest May 6th. I’m sharing a table with Sector 13, the local 2000 A.D. group, who also have a comic/zine out, including a flash-fic from me if I can.

The research on THAT novel is completed. THAT novel is THAT IS SO DEAR I want to land it at a large publisher. Aware that sales of Axel America were so hard, I’m bracing myself not to break down over THAT novel. I have a wonderful buffer in mind and big news on Andy-Luke.com to share in a few weeks.

Speaking of Axel America: keen readers of the novel found scenes where Axel on-air gave two tinyurl hyperlinks and passwords. Now one of these bonus features isn’t accessible so I’ve decided to just direct link them.

The Infothon: Secret Callers
Extended draft of the beginning of Chapter 16: Into the Madness
https://andy-luke.com/the-infothon-secret-callers/
Password: callers

Chapter 23.5: The Initiation
Unseen deleted chapter, set after ‘Axel-Bot 2’ and before ‘Secrets behind the Curtain of the Cabal’.
https://andy-luke.com/easter-egg-the-initiation/
password: initiation

They’re also now linked to on the novel blog page if you want to find them later.

Homespun Fun Comics

I managed to take some time last month for a social trip around England, kicking off with the Midwinter Comics Retreat, hosted by Sophie in her family home. This year was a bit different as I joined Jay Eales on the writing duties, shipping out scripts to seven artists. The experience was true to the MCR ethos of ‘fun comics’ and I feel enthused and inspired about making comics in the future. Crisis on Infinite Captions should be out from Factor Fiction Press later this year. Thanks particularly to Sophie, Jenni & Richard,  Arsalan, Glenys, Sean, Ciaran & Adrian and Suzanne for making it a holiday I won’t forget.

Helen Gomez runs The Girly Comic Club, an event in which she opens her home to trusted friends to draw comics two or three times a month. Isn’t that a beautiful thing? To come off wet streets and get handed a cup of tea, some cake, and draw comics in comfortable surroundings! Four or five people collaborating on a mini-comic or two, within hours! I’m hoping to try hosting something similar soon. It’ll be a LGBT-friendly called Boys Club, of course.

If you’d like to see what we’ve been up to try a wee comic-zine about Houses, or ones about Jeans or Monkies.

Sam Finnegan has attended a few of these. He’s a cartoonist in Bangor, NI, working out of Boom! Studios, and now SyncSpace in Dufferin. Sam has set up a zine and comics library there, with a great gallery, a regular Flea Market event (on Sundays), and some prog art exhibits planned.

An update on the Axel America coverage in form of a reading given at The Book Reserve. It’s from Chapter 10 a.k.a Masculinity Under Threat: The Effeminate Ephemera of FEMA. I also got a nice column in the February edition of Writing Magazine, and a mutual love-and-anger chat with Rob and Janelle Alex of the Authors Talk About It Podcast. And you can now buy Axel America at SyncSpace!

 

Post-novelisation depression

Disclaimer: Thanks to anyone who hasn’t been thanked. This article is not intended to guilt trip, or finger specifically. If you find it triggering you might want to surf elsewhere.
Clinical depression: there’s wretchedness, no doubt. It’s as random as banana. Doctors and authors writing about mindfulness track down how it can strike a physically and mentally healthy person, without even the decency to explain itself. It’s an especially rude and stupid ailment on an irrational course. One sector it seeks out for trolling is creatives, but thankfully there’s been a huge growth in writer’s guides that talk about well-being. Dorothea Brande’s Becoming A Writer is a good one, and I’m looking forward to starting Julia Cameron’s The Artist’s Way, which is on my wheelie table.

I spent the better part of October suffering from a type of clinical depression I’m choosing to call post-novelisation depression. A quick search tells me I’m far from a one-off, but I’d not seen the like referred to in any writer’s guides.

‘Oh, but it’s only natural you’d feel some burn-out after all the work you’ve put in’.

‘You shouldn’t feel bad. You’ve written a book, that’s a huge accomplishment’.

Both of those are fair and helpful comments, but let me be clear. I’m not talking about burnout, or a lack of time off, or the parts of the book that were weak – no, blaming myself? Too easy. Maybe it was the dull administrative tasks making up over half the job.  I was smart enough to combine promotion and recreation: in a podcast tour and at social events which make up the bulk of my sales. What I mean is a full-on inability to write, days not getting out of bed, feelings of worthlessness and self-harm. The best advice I got before publication was ‘manage your expectations’. So I researched, and found Man Booker finalists selling under 3,000 – in one case, 900 copies. That didn’t stop the overwhelming misplaced (yet un-uttered) frustration towards bookselllers, journalists, friends who might have supported me yet signalled no interest. Yes, I knew I had no right to expect anything, or did I? Random fucking bananas! After fifteen years making cool stuff, my first novel is a big deal. I thought of having myself sectioned and, professionally, I wanted to jack it all in. It didn’t/doesn’t feel like an illness, more a moment of clarity.

White Collar, c. 1940 – Linocuts by Giacomo G. Patri, Via Thomas Shahan, CC license.

I mentioned inability to write: not just the block, this was like a paralysis. Writing is therapy as well as my job. I attend the best writing group in East Belfast, maybe the city: but in October I went there like a zombie. I think things began looking up when I returned to reading The World in a Flash: How to Write Flash Fiction, by Calum Kerr. Kerr put me off by filling the book with exercises, but under the October low it was exactly the crutch I needed. The ethos in Kerr’s book is not just about honing flash fic, it’s about mentally equipping yourself to building story tiny piece by piece.
A moment of clarity: I felt a sheer overwhelming feeling that I didn’t want to do this again, something I genuinely believe right now. I don’t know if I’m healthy enough to manage writing for a living. That’s not weak to think like that. Kevin J. Anderson in Million Dollar Productivity makes the point that mechanics and grocers can’t afford to wait for their muse to strike, which is fair. He also goes on to say it’s entirely realistic to write five good books a year. Maybe I could. As I begin writing a new book full of my heart, I think I cannot cope with all the pain that comes after. Anderson and others advocate getting your team in: people beyond the shopkeepers to sell for you, agents, marketers and promoters. I think this is a necessity, but from where I sit it looks as hard as winning every single customer. So I ponder the future: is this post-novelisation depression, or a moment of clarity?
Other great books on writing I’ve indulged in recently include The Story Book by David Baboulene and Shadows Beneath: The Writing Excuses Anthology by Brandon Sanderson. You can check out my reviews of these on Goodreads, and there’s more information about my novel, Axel America, here.

SF & F: Axel America and the News Election Race

Everyone’s keen to talk to me about Axel America and Donald Trump. Huddled together neighbours at a car crash, gleefully hiding terror. Never mind the politics, glance at the news media: photo-fit and run. The novel is about communication sciences: propaganda and cyber-stalking, everyday rather than futurist. It has many of the elements of science-fiction: Manchurian Candidates, super-intelligent defence systems and Tesla technology in the first five chapters and more throughout. Then there’s the psychology/SF cross-over: a presently advanced world subjected to Axel’s delusionary perception of global pandemics and martial law, holographic waves, time travel, light and sound weapons. It’s a book on the border of the news and conspiracy theory, fused by recent advances in social media. Threaded through it are themes of order versus chaos, war and peace, authoritarianism versus free will. One question I get a lot is ‘how do you satirise the satirical?’, and I say it’s a challenge, and we chuckle. Rupert Murdoch, Kay Burley, Piers Morgan, Donald Trump, Alex Jones: how do you look at the dark human cartoon and study their projections? One answer is to go right past the fiction of SF and into Fantasy. The novel pulls on the strings of bible prophecy, distant Pangaea, mercenary assassins, secret caves and valuable artefacts and more fitting elements to frame these dark cartoons. They’re comfortably enjoying their lives which disrupt. The incoherent, or unacceptable, nature of these news media antagonists and their rules requires hacking: not from the choices they give us, but from every choice.

I’ve been invited as a last minute guest to Titancon in Belfast this weekend at the Wellington Park Hotel. There you can pick up a copy of Axel America and the U.S. Election Race from myself at the AGPublishings stall.

You can support bookstores in Belfast by purchasing it from No Alibis, The Thinking Cup, Comic Book Guys and Forbidden Planet International. Or in Dublin, from Sub City Comics or The Winding Stair. The book is also available on Kindle and Smashwords.

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Lisa Flavelle’s Morning Talk-In, Belfast 89FM.

We’ve had some good reviews in The Irish News, Authors Talk About It and Belfast 89FM, which you can find on the Axel America page, along with a round-table vid-cast I’m on, produced by Nimlas Studios, talking about mental health in fiction.

Cover artist Sean Duffield models Axel America.

Cover artist Sean Duffield models Axel America: oh, the pride!

Off to the White House

Or rather The Green Room…

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Of The Black Box, Belfast.

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That’s this Monday, just around from the Duke of York where I’ll be tasting beer after.

The books have arrived, big chunky things. Michael at Northern Visions TV assures me he’ll be getting through it before we shoot on Friday for two shows: Focal Point (news), and Novel Ideas. 

the call

Tomorrow, I’ll be in Dublin to talk to sellers, meet some pals and attend the launch of The Call, a new novel by Peadar Ó Guilín. He’ll be in Easons with Oisín McGann and a group of fans and pals. (Link: FB event) It’s published by Scholastic/Fickling and is a children’s book about child abduction (!) by the Sidhe faeries. [More about that on Publisher’s Weekly]

The Axel America Election Tour has begun, kicking off with the folks at Downbelow, a podcast about Babylon 5. A double episode on Secrets of the Soul (dismissed), and Day of the Dead (applauded). I took a while to warm, fighting the prevailing opinion on the first episode, but I was roundly welcomed and it put me in a good mood to start. (Thanks Ian for the on-air sale!)

Next day, the first of the email interviews with Pro Media Mag, and talking to Seemi about comics and the making of The Invisible Artist show. I really enjoyed this one and you can find it linked with the others on the Axel America page

The weekend began with a night out at Sector 13, a local group of ‘mature’ comics readers and cosplayers. I was picked up by Peter Duncan of great British comics blog Splank!, and we hooked up with social Laurence McKenna, Paddy Brown (soon appearing in Hawaiian shirts), the jovial Ryan Brown, the omnipresent stoic Bruce Logan, teller of tales Glenn Fabry and Ishtar, an author visiting Glenn from Brighton. It was a night of fine craic and welcoming faces and I’d recommend it for folks in the area. More setting up and more interviews. Writers Community is a local site with an interview. Alan asked me questions where I’ve gone into the mechanics and politics of the book, and given some advice on writing.

Old friend Ciaran Flanagan phoned me up on Sunday for a segment on the ComicCityCast and it was a delightful lapse into casual (but excitable) chat about the origins of the book and where it is now. On Monday, US blog Literary Links got in touch to ask about Axel’s showbiz links and the creative lifestyle.

Today, it’s more attempts to bribe journalists and bloggers with a free lunch, and some house tidying so when publisher Andrew arrives on Monday, he isn’t sleeping in a hammock of cobwebs. Keep an eye to @TheAxelAmerica – there’s things I’ll announce there that have blown our socks off.

Oh, just time to mention http://www.outsidergames.com/jennifer-wilde/Jennifer Wilde - Stephen Downey

Me old pal Stephen Downey is working on a game based off the beloved comic, created with Rob Curley and Maura McHugh. For those unfamiliar, Jennifer Wilde follows a French artist and Oscar’s ghost as they solve mysteries in London, Paris and New York.

Axel Live: Writing & Editing Diary

This week I’ve been working with Andrew Gallagher on his 2nd draft/my 7th draft of Axel America. Yes, novels are usually worked through with proofers and publishers and done six months or more prior to publishing. In this case, I didn’t begin talking with AG Publishings until two months ago. It’s not as if it can be put off either – the story of Axel America takes place between April and October of this year, and a release any later kind of robs it of some of it’s power. You’ll see. We’re in the very unusual position of altering the story up to one month before publication. I think the novel is more functional because of this error of mine and it’s a guilty pleasure too, where I’m able to include in references to current events. It’s also a double-edged sword. Mick Falk is a character obsessed with the European conspiracy, and with the Referendum gone the way it has, I’m currently re-writing Falk’s character in the second half. The second draft is gruelling. Positively stress-inducing aargh, because I’m letting go, delivering the bloody baby. The third draft will be a final check for typos, punctuations etc., should be a dawdle.

So that’s why I’m still writing about editing, when other writers had all this done moons ago.

The advance information sheets are just waiting for clearance, but the promotionals have begun.  I’ve been writing tweets for @TheAxelAmerica and @TruthLive_TV to coincide with the annual Bohemian Grove festivities which start today.

If you’ve been by @andrewluke on Twitter, you’ll see I ran a ’60 Great Small Press’ list of comics that have touched me. These are being collected on John Freeman’s Down The Tubes, and the first part went up a few days ago. 

The novel, Brexit, and the Aran Islands holiday

Work carries on with ‘Axel America’. Unfortunately the previous copy editor didn’t work out, but on the plus side, it’s being done in-house at AG Publishings. Andrew Gallagher is such a joy to work with: thoroughly professional and a big fan of the book, his support fills me with confidence that we’re going to shift some copies when the novel is released two months from now. As it’s set >now< (now being just after Chapter 7), last minute re-writes are required under Brexit, but we’re getting there.

It’s been a lot of work, and so I took a long weekend away. I did consider asking social media for an update on post EU Ref / Brexit, all the political developments of my week away, but on second thoughts, I’d really much rather have an update on my friends and know they’re coping and surviving it. Westminster politicians aren’t far enough down my caring list, yet they carry on trying to make out this ever-shifting landscape is completely about themselves.

The weekend away began in Galway, and a reunion with Emmett Taylor, cartoonist behind Dope Fiends, and several Dublin Comic Cons. Emmett was one of the first comics creators I worked with, and it’s been fourteen years since we saw one another. Here’s us in a famous Salthill pub enjoying the craic.

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Sarah and I set off the following morning for Inis Mor, the largest of the Aran Islands.

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I’d fun meeting the locals, including John, a talented muso seen here playing the bars.

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John and other musicians regularly hang out at this island cafe run by Roland and Angela, who make a mean morning smack-me-up brew.

Our B & B, Ard Mhuiris came as part of the Aran Islands ferry package, worth finding. A homely little place near the harbour run by Cait, who came over as very sweet, attentive and likeable. No pictures snapped but for this rather unusual 3d picture on the wall, which resembles both a horse and the face of a strange old man.

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Oh, right, you liked the ones with fields and sea…

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There’s no barriers or handrails up there. Beautiful? My legs were like jelly. Dun Aonghas is 300 foot cliffs.

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The fort from another angle. The Burren, the stone-field in foreground, is all over the island.

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The road to Dun Ducathair (The Black Fort), includes twenty minutes of walking on stones.

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Right, I have to get back to work now. I’ll leave you with a photo with less stones in it.

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Blogging Axel America: Me and A Publisher

The week of the 16th May began with a meeting with Pieter Bell, an affable bar-fly of Belfast stores which stock comics. At the Enniskillen event under much lager, Piet had unmasked himself as an editorial bod and was keen to try out proofing the MS. Also from Enniskillen, an interview lining up with Andrew Gallagher for May 22nd. Initially, for guidance, but I couldn’t resist asking the purveyor of well composed sensationalist literature in neat smooth bound form would be interested in publishing Axel America. So, I push on with re-drafting. The daunting, dull task was tidying up the timeline which was a major challenge. I marked cut-off dates in the chapter listing and altered the temperature on a few details. Plot seeds and plants of different growths were uprooted and re-flowered and all other relevant small gardening metaphors. I shared the document link with Andrew and with Pieter on Wednesday, two more days to go.

Not in my notes was the fact a minor character disappeared from the final third of the book. He wasn’t essential to the plot but his character, like Axel, calls out for attention. Again, back to the chapter listing and marking up where he should be seen and what he’d be doing there. One final speed read over I see another characters doesn’t have traction to action demanded. Eventually, more spell and grammar, format and punctuation, (damn those commas wriggling into prohibited areas,) finally its done. 46k.

THe meet with Andrew Gallagher got off bumpy with my epileptic absences flaring up. On the plus side, Andrew is now a big fan of Absence: a comic about epilepsy. He dealt with it as a gent and both of us were so revved with lists of questions for one another that we made short work of the time. Andrew guided me through the process of publishing as he saw it, reeling out figures and processes with nary a glance at his laptop. A very productive day. I’d highly recommend would be authors to hire Andrew for a consultation. Having done a fair bit of self-publishing already I was able to bring enough to the table to compliment and enhance what Andrew has on offer.

So, I’m pleased to announce AG Publishings will be putting out Axel America, on September 5th.

And here’s a copy of Sean Duffield‘s mock up of the cover:

Axel America Finished Rough_Hi_Res_600dpi

Pretty cool eh? He’s been sending me bits and pieces of the finished version and it looks ace!

Axel is a patriot with questions. Torn between two loves: his family, and his one-man media crusade, news won’t be the only thing that’s breaking. Axel seeks to regain the love of his children and to cover the Presidential race. However the satanic forces he’s been warning about all his life come out from the shadows and are determined to pull him in.

25/05/2016: Joyful deadlines: Blogging Axel America

Axel America is set around the November 8th U.S. elections, so I’ve plenty of reason for getting it out there soon.

Some authors disparage deadlines and writing for the market. Underneath those there’s structure, definition. In the emotional storm times, those can be something to cling to, a way forward. Late April, early May, the time between drafts, took a lot out of me; demanded time to recover. Time I’d set aside for scratching my arse and watching Babylon 5 repeats was replaced with great mourning and celebrating. When I was ready to go back to work, there was plenty, but thankfully I had lots of plans.

Richard wasn’t keen on a show-down in Chapter 4, between Axel and his foe Morgan Rump. “It comes out of nowhere,” he said, and he was right. I printed out the chapter list and decided a re-shuffle was in order. My solution was to bring forward Chapter 5 re-establishing Rump as a threat, but as Chapter 3, thus better establishing him in the rising action. Chapter 1 is an ensemble piece, but doesn’t focus on Axel. (A surprise, as Axel dominates every scene he’s in.) I was loathe to create a new Chapter 2 and alter the opening act structure, being as how I’m at third re-draft but starting out from the vaguest scenario, Axel in studio, I got building, centralising his own world of chaos, and complimenting the new arrangement. The new Chapter 4 also benefited from an extra few pages settling the reader into a more casual read. The original chapter 3 was also set-up, but got pushed back, which is alright as its non-essential, except for being a real peach.

Above: Sean Duffield’s thumbnails for the characters on the cover

My redraft.txt detailed three vital sub-plots I’d identified as not getting their due. Re-reading the MS, I made notes on the chapter listing where they’d been mentioned, and where they could be grown and expanded on. Then, I wrote those in, and noted that I had. Then I discovered spelling mistakes. And more spelling mistakes. The whole document, infected with them! A look under the hood revealed my version of Open Office was not playing ball. Everything got exported to Word. Spells and grimoire re-working took much less time than expected; two days. I think this must be the easiest re-write I’ve done for the reason detailed notes were kept, the sort a scrutinising editor or proofer might hand me. It always seemed another job had to be done, but I knew what the job was. I ran across new tasks on the way there. In one chapter I’d scrupulously pinned down location details. When I put the address in, I realised the text could be made so much better by capitalising on why I’d chosen that location above others, and so strengthened the atmosphere. Spell and grammar checks on new lines and paragraphs, the document by now edging towards 43k.

By now, its May 16th and Sean had sent through the finished rough cover which looks incredible. I’m talking with Enniskillen author Andrew Gallagher about the route to publication on his own books. I met Andrew at the Enniskillen Comic Fest selling his fictions, ‘Escape from Fermanagh’ and ‘Fermanagh Exorcism.’ Both are published out of his own house, AG Publishings. The books are well formatted and clean, the stories are easy-read riveters, horror hoots. We talk about my visiting him for a chat to see if he can’t talk me through the process, which frankly I’ve not had a handle on since carting ten supermarket trolleys of Absence to the post office. There should have been a photo of that. Self-publishing is all fun and games until somebody loses control of a cart on a kerb. Thankfully Andrew has an iron grip and a peer talk will help steer me right. Enough puns. I’ll leave it there for now and update again in a few days.