Axel America is set around the November 8th U.S. elections, so I’ve plenty of reason for getting it out there soon.
Some authors disparage deadlines and writing for the market. Underneath those there’s structure, definition. In the emotional storm times, those can be something to cling to, a way forward. Late April, early May, the time between drafts, took a lot out of me; demanded time to recover. Time I’d set aside for scratching my arse and watching Babylon 5 repeats was replaced with great mourning and celebrating. When I was ready to go back to work, there was plenty, but thankfully I had lots of plans.
Richard wasn’t keen on a show-down in Chapter 4, between Axel and his foe Morgan Rump. “It comes out of nowhere,” he said, and he was right. I printed out the chapter list and decided a re-shuffle was in order. My solution was to bring forward Chapter 5 re-establishing Rump as a threat, but as Chapter 3, thus better establishing him in the rising action. Chapter 1 is an ensemble piece, but doesn’t focus on Axel. (A surprise, as Axel dominates every scene he’s in.) I was loathe to create a new Chapter 2 and alter the opening act structure, being as how I’m at third re-draft but starting out from the vaguest scenario, Axel in studio, I got building, centralising his own world of chaos, and complimenting the new arrangement. The new Chapter 4 also benefited from an extra few pages settling the reader into a more casual read. The original chapter 3 was also set-up, but got pushed back, which is alright as its non-essential, except for being a real peach.
Above: Sean Duffield’s thumbnails for the characters on the cover
My redraft.txt detailed three vital sub-plots I’d identified as not getting their due. Re-reading the MS, I made notes on the chapter listing where they’d been mentioned, and where they could be grown and expanded on. Then, I wrote those in, and noted that I had. Then I discovered spelling mistakes. And more spelling mistakes. The whole document, infected with them! A look under the hood revealed my version of Open Office was not playing ball. Everything got exported to Word. Spells and grimoire re-working took much less time than expected; two days. I think this must be the easiest re-write I’ve done for the reason detailed notes were kept, the sort a scrutinising editor or proofer might hand me. It always seemed another job had to be done, but I knew what the job was. I ran across new tasks on the way there. In one chapter I’d scrupulously pinned down location details. When I put the address in, I realised the text could be made so much better by capitalising on why I’d chosen that location above others, and so strengthened the atmosphere. Spell and grammar checks on new lines and paragraphs, the document by now edging towards 43k.
By now, its May 16th and Sean had sent through the finished rough cover which looks incredible. I’m talking with Enniskillen author Andrew Gallagher about the route to publication on his own books. I met Andrew at the Enniskillen Comic Fest selling his fictions, ‘Escape from Fermanagh’ and ‘Fermanagh Exorcism.’ Both are published out of his own house, AG Publishings. The books are well formatted and clean, the stories are easy-read riveters, horror hoots. We talk about my visiting him for a chat to see if he can’t talk me through the process, which frankly I’ve not had a handle on since carting ten supermarket trolleys of Absence to the post office. There should have been a photo of that. Self-publishing is all fun and games until somebody loses control of a cart on a kerb. Thankfully Andrew has an iron grip and a peer talk will help steer me right. Enough puns. I’ll leave it there for now and update again in a few days.