The Marxists

I’m taking it easy on the blogging this week as behind the scenes there’s a lot of the ingredients for a major fucking emotional collapse. I’m not a hit, you’re second place.

I will be reading a few short stories at Tullycarnet Library tomorrow night, so if you could tell people that would be great. Here’s a link: https://www.facebook.com/events/651263754907282/

Last year, The Marxists came to down. Promising a two day conference discussing the recession and the bankers collapse featuring Laurie Penny and other notables that didn’t show, the event was organised by the local Socialist Workers Party. One of them is a good mate, but there was a lot of ‘have you let the lord jesus into your heart yet?’

The Marxists 1 The Marxists 2 The Marxists 3 The Marxists 4

Barry, and the world turns.

Barry’s dead. I don’t want to write a poem, I haven’t the skilled energy for a painting. He was murdered by “dissident republicans” in a city centre location. Like their paramilitary counter-parts “dissident loyalists”, people ask news agencies, “Why don’t you call them by their real name?” This isn’t a plea for divine powers, but to infer this is ‘the IRA’, ‘the UVF’ or whatever. Though it never was about that, never in thirty years of low intensity conflict. It wasn’t about protestant or catholic. It was about cocaine, heroin, ecstasy tablets, sullied weed even. It was about who could pull the biggest robberies, steal the green: the grass always greener if all sides are together. Circle, sphere.

So they murdered him, threw his girlfriend into the other room while they did it. Kieran McLaughlin knows something about it. There’s a hundred men out looking for him, but the internet will track him down. They’ve not had to deal with that before. I’ve never had to deal with this before. I’ve never lost someone dear. Sure, my childhood was spent terrified, my adolescence brimming with a nervous disorder. My school-bag was searched, was dad coming home? You couldn’t talk about some things in some places. I was just the same as everyone else. Part of this state of North Ireland that’s ninety years old now. I lived with it in my twenties too, the gun at my head, the senior citizens weeping for vengeance, frail and exhausted, and when I was old enough I left. I cried too. Not because I would miss everyone here, but because I knew I didn’t want to come back.

I did. I spent some time on the protests. They shot dead pizza boys. The MPs signed up house expenses and we got the letters into their offices. They joining the boards in clusters for consensual embezzlement motions, and our voices yelled at the windows. We saw them on the boards of one bank, two bank, three bank, and it’s okay, they said, it’s a very special deal, can’t fail. We can put this money into securing your future, they said. They had their favourites: the poetry arcade arsonist, Iraq’s Bridge End bombers. Too much writing, too much writing…

Gazebo in Writer’s Square was were Barry and I met, were we timed Occupy. With our slogans to remind. No to the bail-out. If you lose a billion pounds, you have to take responsibility for that. Mummy can’t come and get you. I enjoyed the time I spent with him: stoking the fire, talking about investment, long-term historical trends, government, drinking hot tea. Ah Jeez! The wind is blowing the smoke everywhere. can’t see a gorram thing. We explained gorram to him. He made welcome (and coffee) the people who came and sat with us, whether they be posh for an argument, riddle me this, or genuinely up for a chat. You tell me your story, I tell you mine. There were those that just came for the fags and coffee and we were okay: come out of the rain drip, come out of the rain drip.

“She said her son, who had ovrer 100 criminal convictions in the court, was “not the worst of the worst.” – Derry Daily

Barry told me the exact same thing, and I thought he was joking as you would. I couldn’t even see it in him. There were probably a few for protesting, for advancing the achievements of fairness and equality. Probably a few for genuine harmful crimes. And he fell from grace with some. When it got dark, Barry didn’t want the girls leaving too late. He’d give them fags or get someone to walk with them while he manned the camp. We’d talk about why ITV weren’t covering the city fraud, why the BBC weren’t spilling the lies calling criminals criminals and why Sky were hacking phones. Well now you know. Information dissemination. There wasn’t much reward in those days, but Barry knew and he shared, and people left us sandwiches. Chopstix saved the bins and donated our dinner. Often it rained and we fortified with board and rope. The torches swung on string from the ridge pole. Sometimes it was a half hour of treachery, like open seas deep in the city centre across from the cathedral steps.

The news said he was 35, naaah, I was older than that and he seemed older than me. It’s a week on from his murder nearly as I write this. I’m sad my friend is dead and worse, I don’t feel the gaping hole, the loss. I knew Barry for two months, about half of the week. He’s the first friend I’ve lost directly to this bullshit. I was saying last night I’ve been lucky never to have something about losing someone luckier than most. And now, I feel no different. Because this is the same crap that made me happy to leave my family, the same unity that said I could never be self-employed in Belfast. The same bullshit that covers our skies with sodden flags and burns down the streets of East Belfast, that injures our cops who have children, that murders our people who have children. As Dave Baillie put it, it’s an indiscriminate device. Sometimes a clergyman or a professor will talk about the sort of things we did. They’ll say that it’s wrong to laugh at Neanderthals. That by making fun of vicious thugs and by making ourselves laugh in the process, we’re ignoring the problems and provoking the situation.

A psychological misogynist has pushed me to make a reputation explosive this week. Four times, before I found out about Barry, I woke myself up crying. But what is the level of indecency that requires Kieran McLaughlin, a 58-year old with a past with guns, to engineer a manhunt for his information? We’ve been advised not to approach, to ring it in. They call this touting, but we called it information dissemination, education, keeping people informed, sharing with lovers. Not making up lies about causes, scapegoats: straw men are for farmers. The world doth turns and while one side pickets the other and makes their hell, Barry and I sit in the shack, trying to keep the leaflets dry and talking to people about the tyrannical classes. We will overcome. The scum-bags who keep us from evolving will fade into ashes and dust.

Wanna Hear a Joke? [TitanCon Comics]

During TitanCon, I hosted a paired down version of the Magnificent ComicBook Factory with the assistance of Rich Clements and Paddy Brown.

We were up against an all-star Game of Thrones panel in the first slot of the day. I’d no plan, hardly anyone showed up so there was a fair bit of stress and slack. As it happens, that’s a good combination.

First up, the lovely Siobhan McKenna:

BEAKERS by Siobhan McKenna

 

Jon Pot,

FART JOKE by Jon Pot

 

Paddy Brown:RUNNING MESSAGES by Paddy Brown (1) Rich ClementsTHE INTERVIEW by Rich Clements

May CheungTWO FISH by May Cheung WHY DID THE CHICKEN by Andy Luke

 

Tenement Tao

The cleverest things in the world are the toughest to speak of concisely. Our marriage had hit a rut and the only way for it not to die, to not slip through grass to a ravine, was to talk. It wasn’t about always telling the truth, sometimes I lies so she would follow, and sometimes I’d not talk, and she’d sing. Caught inside one another, watching each other smile. Electrack Street, Garbage City was behind us for Sublime, a small village were people emitted pink love hearts as they passed. I recall unpacking one box and wondering at what point we’d thrown out the stereo. The Flaming Lips, under a thick sheet of dust. Well, that couldn’t go in Jonas’ nursery.

Marry-Jane and I listened: every bawl, every wail, every boo-oo-aa. We were glad we’d traded Electrack Street for him; every moment, though, he was so tiny, like a little sausage cartoon clone of me, every moment was not not precious. There was noise, and noise and ringing scorching headache. When sleepy, he was a doorway to a world of New Age delivery, of de-cluttered living. We basked in him like he was the Tahiti sun, our perfectly put together boy. He walked and said, “Air”.

He stopped screaming and the night reminded me of my own parents. At the dock, after hours waiting for the boat to come in with Dad getting a sleep behind the wheel and Mum making us juice from the caravan behind. The other children, between the still cars, and the lorries. It was something deep black and spiritual, a promise of pioneering as harboured boats chimed in the wind. It was going to be okay.

There was no acid then, no wrong vinegar. Sure, he got into trouble, but nothing too off. Just like any other boy, except I got the feeling he was improving the curve. He had a paper round which he took some pride in. That Christmas his mum and I gave money for choice. That was the moment when we let One Direction into our home with their wonderful song-writing skills, their catchy tunes and refreshing perspectives teaching the three of us the way of the world.

Exactly a year later, Jonas burned tied to the basement table, while Mary-Jane and I wrapped wheels through LA streets, boiling petrol towards our new lives in Alaska.

Bloody Templates

Stick

I can see in the dark. It’s not deadly. There’s layers, and things we bring. Memories, grins, carrots and hummus, shades of sun, different colours. (I have a lot of white) Some memories are very strong, I’ve lived here for years. No music plays now, but I remember Blake Leyh’s closing credits to The Wire which sound like the marina car park, the Flaming Lips Yoshimi rock opera of holiness. When the electric increases it’s range I’ll feel comforted, but sometimes I like the risk. Crossing to the far end without knocking anything over is my own private talent show. Somewhere in those late hours I’ll let a mess grow. I’m going to step away from the screen now. I can see what’s at the other end, although it’s dark.

Flee Street

Do you wanna publish? Do you wanna publish? Let’s go. It’s periodicals. Drive the barons of the papers out of business. And you’ve got a team of writers ploughing through human rights periodicals. We’re communicating. Periodicals, easy cheap. Permanent type is so 18th century dear. Not 1,000 per vendor – five in every shop. Committee hyperfiction. And we’re in the exhibition about exhibitions now exhibiting our own exhibition journals and A4e bomb planes bastardise the flesh of forty year old language teachers who were once little children.

And that teachers a terrorist, and you’re a terrorist: Monica, Colin, Tracey, Hugh, Ha ha ha. Ha ha ha the headline. Christopher in Serial Naplaming Shock, Ha Ha Ha, and now we can all sleep, because it’s 11 a.m.

Aren’t they ready to learn? Rosaleen? Can’t we teach these painters of crap? Learn. It’s fun. Next person. Shh. Learn. Ha ha ha Headline.

But My Finger

There, the most floatiest macaroon lemur Todd rode midday. Cantaloupe no surprise raffles canyon feathers back back and give security. Wax scaffold fun ordered Molly Coddles’ barber flying, now I’m on line. Boaters’ Margarette was the cake – commercial yet co-operate, social animal.
“I know you meant Battenburg”, said Paul.
“It’s time you woke up and learned the truth”, spoke the megaphone, but my finger pointed up to improvised paradox dream laid manifesto to save the macaroon lemur.

Doodles Writer in September

Faith sketches, they might have been called. A long-backed rhomboise mounting a flap-bad owl spectra ship. The other had a butterfly’s look but also French Toast marked by black ink outlines repeated. The antennae might have been twigs, or cherries, and were accompanied by a commercial witch’s broomstick. Flow lines.

Interview with Adam Lively, poet of Rainy Days

It’s quite nice watching an evolutionary leap running through both the Belfast comedy and poetry circles lately, and it’s not restricted to both Down and Antrim I’ll wager. Last December, while loyalist protestors…actually can we stop calling them that? The protest isn’t what we disapprove of – its the litter, the violence, the tying bags of shit to lamp-posts, it’s the rioting. So, last December, while loyalist rioters pushed the city into gridlock folk took part in Operation Sitdown. Pubs and clubs were filled with commerce to make up for the protests which lost Belfast hundreds of jobs, myself included. This later was co-opted by the City Council to become Backin Belfast, but of course, as it was run top-down rather than grassroots, they messed it up. Still, we had LAD to keep our spirits up.

I met my friend Adam Lively for a pint. Adams a more pleasant creature than me. Intently gentle, self-sacrificing, a little jittery but a little is alright, calm and silent with a black observational wit. I had a camera on me to ask him about his poetry collection, Rainy Days, a title which well sums up our capital.

You can buy Rainy Days through the Lapwing site and Paypal. It’s £10 in print or £5 digital, and they’re currently running a 2-for-1 offer from their vast e-book range.

Cheers

Andy

More Webcam Filth (Comics, Text)

Every so often I like to go on a webcam chat room. Some say every night, three times a day, but I say every so often.  I hear the remote world insisting there’s a taboo, that webcam chatting is stupid and I laugh, because those are very stupid people and perhaps in need of a crash helmet.  I’ve met a leading European cartoonist, the chief tribesman of a very small Atlantic island and one or two attractive folk maybe. But for every one of them, Tim Shere, CLUE

I didn’t come onto him. Unlike today, when I purposely posed as a woman. There’s some scandalous bullshit women have to go through, and its not fair on their male or trans friends either. I’m Charlean.

Comedy Cam

Sorry Mike, thanks for helping though.

I was talking to my friend Aurora on one of the (intently) cleaner chat rooms (that reinforces the rules properly), when we got a fella asking to talk dirty. This is usually met with people telling him to take it someplace else, but I decided to IM him and troll-the-troll. Thing is, he saw me coming…

Dirt

And JadesDJxT became a a room regular.

Here’s a little comic I did about a few of my friends. They have potty-mouths.

If yer asking, I prefer Camchat to Camamba. Maybe I’ll do a comic in there sometime.

camamba chat 2

Comic Capers With Davy Francis and Chums

Me and the Irish comics scene/industry haven’t been getting along great in the last year. To prevent it shitting in my eye I’ve removed myself from the day-to-day biznit as much as possible. Out in the Cursed Earth wilderness, I’d forgotten how I enjoyed the company of Bobby Best, Ciarans Flanaghan and Marcantonio.

Today’s event marked the end of the Bellylaughs Comedy Festival at The Black Box, a retrospective of Davy Francis’ career. I’d little idea what was going on, so people asking me questions were treated to an uncertain shrug and “I’m just selling these comics, mate”.

Black Panel Comic Capers

There were a few panels  lasting 15-20 minutes at the start and near end of the event. These didn’t go so well. There may be weird personal quirks like every other artist, but you’re not on stage to chat with your mates: you’re there to talk to the audience. 

The centre-piece was a talk by Davy, which ran into a two hour affair. Fortunately, Dave was in performance mode and gave us a tour of his life and entertainingly covered adventures of four decades in comics, with the flair and savvy of a good stand-up. It was an absolute treat so see uncovered gems, hear of Davy’s run-ins with Alan Moore, Sergio Aragones and Frank Quitely and the introduction of Wee Billy Simpson into the narrative had the room in stitches at the outset. In part, the performance had functional similarities with when Steve Bell talked at The Black Box a few years back, and with many of Davy’s family and friends in the room, of so many different ages, it made for a very cosy comiciography.

Tablecloth“We used to always draw on tablecloths”, Davy told us, “And thats why we have pens and crayons on your tables.”

The Belfast Telegraph donated a huge ream of printer paper which I dropped on my foot and Paddy sweated over but eventually we hung it Black Box walls white. Davy drew the first panel of this five foot high four panel strip. Not sure who did second and third, I drew the fourth.

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OLYMPUS DIGITAL CAMERAThere was another panel, this consisting of Ian Knox, Ann Harrison, forgot his name (thanks for the correction,) and Paddy Brown.Again, the audience couldn’t hear and part of the audience’s reaction was to talk over, making it very uncomfortable. It’s part of The Box’s charm that events can go on and people can still talk away to their pals, but there needs to be an established line.

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Above: From the wall, by Daryl Shaw, in reference to a great time travel joke Davy made early in the event.

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Dunno who Davy Kerr is, kinda want to find out.

Verdict: A pleasant day out.

Davy has depths of storytelling performance wow-some but it’s conceivable this small format event could be repeated (similarly) with Ian Knox or Will Simpson and probably Paddy himself  when he gets a bit older. There hasn’t really been a Belfast comics event like this.

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Eno You Kno?

Unearthed from the boxes today, half of a sketch series from 2003-2005 of David Byrne and Brian Eno. Eno EnoThe other half of the piece featured album covers from the Bowie-Eno Berlin trilogy. Does anyone recognise were I’ve appropriated these images from?