Bloody Templates

Stick

I can see in the dark. It’s not deadly. There’s layers, and things we bring. Memories, grins, carrots and hummus, shades of sun, different colours. (I have a lot of white) Some memories are very strong, I’ve lived here for years. No music plays now, but I remember Blake Leyh’s closing credits to The Wire which sound like the marina car park, the Flaming Lips Yoshimi rock opera of holiness. When the electric increases it’s range I’ll feel comforted, but sometimes I like the risk. Crossing to the far end without knocking anything over is my own private talent show. Somewhere in those late hours I’ll let a mess grow. I’m going to step away from the screen now. I can see what’s at the other end, although it’s dark.

Flee Street

Do you wanna publish? Do you wanna publish? Let’s go. It’s periodicals. Drive the barons of the papers out of business. And you’ve got a team of writers ploughing through human rights periodicals. We’re communicating. Periodicals, easy cheap. Permanent type is so 18th century dear. Not 1,000 per vendor – five in every shop. Committee hyperfiction. And we’re in the exhibition about exhibitions now exhibiting our own exhibition journals and A4e bomb planes bastardise the flesh of forty year old language teachers who were once little children.

And that teachers a terrorist, and you’re a terrorist: Monica, Colin, Tracey, Hugh, Ha ha ha. Ha ha ha the headline. Christopher in Serial Naplaming Shock, Ha Ha Ha, and now we can all sleep, because it’s 11 a.m.

Aren’t they ready to learn? Rosaleen? Can’t we teach these painters of crap? Learn. It’s fun. Next person. Shh. Learn. Ha ha ha Headline.

But My Finger

There, the most floatiest macaroon lemur Todd rode midday. Cantaloupe no surprise raffles canyon feathers back back and give security. Wax scaffold fun ordered Molly Coddles’ barber flying, now I’m on line. Boaters’ Margarette was the cake – commercial yet co-operate, social animal.
“I know you meant Battenburg”, said Paul.
“It’s time you woke up and learned the truth”, spoke the megaphone, but my finger pointed up to improvised paradox dream laid manifesto to save the macaroon lemur.

Doodles Writer in September

Faith sketches, they might have been called. A long-backed rhomboise mounting a flap-bad owl spectra ship. The other had a butterfly’s look but also French Toast marked by black ink outlines repeated. The antennae might have been twigs, or cherries, and were accompanied by a commercial witch’s broomstick. Flow lines.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s