Never Mind The X-Men, Its X-Mas!

A re-blog from the archives of my regular column for Alltern8; Comicking.

At this time of year, black-belts and red puffer jackets are in. However, before you congeal cotton buds for that handcrafted beard, why not consider the loving homemade gifts already for sale? Comics activists including Andrew Geczy and Matt Reynolds here at Alltern8 and others, have already compiled some lists of easy to pick up comics. The independent press offers items offers items cheaper and often so personalised that the recipient knows they’re one of a kind. And how better to have the gift delivered than right from the cartoonist’s own hand?

For the admirer of Pretty Things…

sallyannehickman 2009

Shopping at fairs, I prioritise picking up the work of Sally-Anne Hickman. Yes, always great value for money. They’re instantly recognisable, emanating sound mellow vibe covers made from wallpaper and glittery stick-ons. Lovely little things, with energetic and youthful scribblings of the author’s comic-book diary, full of character and conversation. In one of my favourites, “Have you got all your cds & things?” we get an honest, fearless and involving tale of a friendship at departure point. These are pocket-size, affordable and lovely graphic novels, all of them. You can email Sally-Anne at sallyshinystars (at)hotmail(dot)com or contact her on Facebook, a link for which can be found alongside some samples at her blog. You should be able to pick up her books for £4 or less.

druane 2010

“One Word for Everything” is a tastefully decorated collection of strips by Deirdre Ruane that should appeal to the fantasist, spiritualist and party-goer in your life, or anyone who enjoys surprises really. Deirdre describes her work better than I possibly could,

“polar bear temps. black holes in language. strange hovering artifacts. racing snails. festival dawns. selfish genes. the kitsch of the future. a caveman who dreams of aeroplanes. everyday time travel. why sex is like ice skating. why spaceships make me cry.”

Celestial festival, friendship and feel-good, melancholic and hilarious; multi-style, patterns and swirls of grace collecting strips from her fast-shifting “Wasted Epiphanies”. More details on the book at the Shop page were Deirdre will accept Paypal.  The collection costs £4.50
Other than the few sample jpegs obtained for this review, I don’t own any wares made by Richy K. Chandler. How could I recommend them for this special time of the year? Behold!

richy k chandler 2010

I have seen these up close and they’re every bit of pretty. The packaging is professionally crafted and the comics, just as much. Made of Presents! For further details and samples, check out Richy’s Myspace page. The “Cosmically Enlightened Gift Set” costs just £5 and the “Mini-Comic Box Set” is sterling value at £10, plus £2 postage and packing for each. Top tip for a tasteful gift, which is    probably too good for High Street shops everywhere.

For the Lover of Comedy….

Ralph Kidson is probably the funniest man in comics. He delivers post-modern pondering, one-dimensional veneer built to hide a variety performance showcase, bare visuals carrying superb pacing, concise character expression and obscenities, lots of obscenities. Ralph is a consummate social commentator, a snorting punk, a fantastic lover and I can count the comics of his comics I’ve been disappointed with on two fingers.

This is the perfect gift for a friend who likes edgy and relevant comedians. So why not let wish them a Sweary Christmas? *ahem*
Ralph’s tactile “Giant Clam” pocket books are a well spent £2-£3 incl. postage and packing from the Forbidden Planet shop. (123)

A few looks at quality mini-comics that won’t break the bank:

For the Artist….

Bloc by Oli Smith and Oliver Lambden

Back in June, I called Oli Smith and Oliver Lambden’s ‘Bloc’ “one of the best UK comics this year” and it still resonates. Doctor Who scribe and general independent comics revolutionary Smith says of it,

“A postmodern fairytale, BLOC is the story of a stone man washed up on the beach of a mysterious island covered in giant floating blocks…”

Indeed. In the abstract narrative within, Smith deals with themes of physics, psychics, play, philosophy and environment. Not bad for a visual instruction only script. Artist Oliver Lambden excels, whipping out strokes of Kirby, Simonson and Moebius in a work that evokes epic qualities of artistic structure. Not only do both creators significantly up their own games, but re-write comics language, stripping away its facade and celebrating it at once. The book is a tidy baige-coloured volume, classy and worked. Affordable stocking filler, definitely ideal for an artist friend. 48 pages, cost approx. £4 from Oliver Lambden.

John Robbins 2009

Iconic models and their environment also feature in John Robbins ‘Inside Outsiders’, another of the finer comics I’ve read this year. Heres his ad blurb,

“Psychosexual subtext pervades this League Of Extraordinary Toy Story as action figures undertake the perilous search for a fellow room-dweller who has fled an emotionally complicated relationship with a promiscuous Bratz doll.”

Robbins’ piece is shorter and wordier than Bloc, but equally a thriller. Its written with comedic mischief, multiple definitions, paradox, and clever pace to the proceedings. Visually, its been crafted loyally with full-figure as portrait style, lacing fantasy within reality and functionality. This excellent example for good comics is a bargain at only 1.75 Euros/$2.50 US/£1.50 UK, postage included. Adults only. Available to buy at Blackshapes Shop.

The small press has also turned out a few graphic novels of note. Some of these are available in comic shops, but before that, some which aren’t.

For the Trad Comics Action Story Fan..

Winston Bulldog

The United Kingdom has had its fair share of larger-than-life comics icons: Dennis the Menace, Roy of the Rovers, Judge Dredd and Captain Winston Bulldog. Over the mid-nineties and this decade, writer Jason Cobley worked with upwards of thirty artists to deliver tales espousing the stiff-upper-lip of Blighty: eccentric, corny, brave and dashing. Alongside his action narrative, illustrators present a highly structured British metropolis, detailed with anthropomorphic and sci-fi scenes as well as stylised minimalist solid designs that are difficult to put down. Some of the strips don’t lend themselves quite so well to the reproduction, but this package is a valuable cultural historical artefact of a generation and an essential reference point in British comics. Simple action dynamics, occasional insightful humanity and some damn fine fun. With a perfect bound full colour cover the complete 208 pages can be purchased for the bargain of £7.99 here.
For the Lover of Myth and Legend….

Ness 2009

“Ness” is the opening work to Paddy Brown’s “Ulster Cycle” comic, were figures and environment gain dimension through directional pen scores and academic research shifts seamlessly into unafraid working narrative. Daughter of the king of Ulster, Ness goes on the run to track down a murderous outlaw, with a looming war between Ireland’s kingdoms for backdrop. The mythology is complimented by Paddy’s occasional lighthearted anachronisms in the script, but the meticulous adherence to source material makes this a fun educational tool as well as a great old yarn. The A5 graphic novel, collects “the full 72-page story in black and white, plus full colour cover, pronunciation guide and seven pages of notes.” and is well worth the £4.99 (incl. postage for the UK and Ireland) payable through Paypal.
Finally, two works which you should be able to pick up pretty much everywhere:

Last Sane Cowboy

Sand and skulls and the disparate wildness of literate West. Daniel Merlin Goodbrey examines contemporary anomalies through the prism of Western genre and computer-aided minimalist projection is that of a modern-day conjurer in this collection of “Tales from an Unfolded Earth”. These tales are sociology: ‘showing’ often only one or two characters, a sense of their connections with an entire society is ominous and eminent. The meta-narratives character studies’ come with personal histories, labour relations and linguistics among flowing sequences and HD coherence. Merlin Goodbrey is best known for his pioneering work on hypercomics, its to his credit that here he accomplishes providence of something with a similar highly personal feel. “The Last Sane Cowboy and Other Stories” is a cult classic and £7 or $13 well spent.  Its published by AiT/Planet Lar and you can find it on Amazon and other places.

Phonogram TSC

Phonogram has re-fuelled my interest in comics, my love towards music and is not only one of the greatest comics being made today but also the simplest.  David Kohl is a phonomancer; he uses music to make magic and because he’s a prick sometimes that goes bad. The other main character of this book is Brit-pop, a revivalist movement linked with Kohl’s essence and rewritten, along with natural reality. In writer Kieron Gillen theres all the aspects of a fantastic music journalist, teacher, poet and creative commercial visionary with tolerable arrogance, taking his cue from Moore’s definition of magic. Artist Jamie McKelvie takes his from Grant Morrisson with designer biography sigils, smart, savvy, smug and infuriating characters. Both lads are to be awarded for bringing real, relevant, clever concepts and scenarios to the audience.  Phonogram Volume 1: Rue Britannia is published by Image and you can pick the collection up for under $10.

Enough from me, Go, load up your sleigh!

Car Boots and International Shows – The Shane Chebsey Deal: pt.1

Over 2008 I wrote weekly for  ComicsVillage.com, during a very exciting time in the UK comix scene..

My columns are concerned with four aspects surrounding comics – social community, economic factors, festival and exhibition coverage and modes of distribution.

sherridancottage

 

The UK comics scene has invoked dilligent workers including journalist publishers and promoters such as Paul Gravett, Dez Skinn and Phil Hall. In between the collapse of the weekly newsagent offerings the adult British comics industry rises from the underground into the emerging new virtual digital age. Shane Chebsey has been one of those pivotal figures of the previous decade in Brit comics. A major distributor in getting comics to people in the days were mail order was an only avenue, to the spotlight he’s walking into in organising the Birmingham International Comics Show. It’s my great pleasure to be able to present a two-part interview with Smallzone man Shane ‘Chebbo’ Chebsey.

shane chebsey by lew stringerPhoto provided with kind permission of Lew Stringer

Andrew: Tell us about your secret identity ? Who are you when you’re not Shane Chebsey, Comics Networker Extraordinaire?

Shane: Ha ha… if I told you I’d have to kill you.

Andrew:
 
Smallzone Distribution set up in 1999 and I’d see you at many of the comics festivals I’d attend. There’d be mad stories going around about you also selling small press comics at those rack-only marts, and out of car boots. At one point I began to see your future as touring around the country in a van with an open-hatch at the side. In terms of numbers how many events had a Smallzone table and are there any wild anecdotes from your time on the road?

Shane Chebsey: Hi Andy.
Well it’s not really that much of a wild life lugging comics around on trains and buses, so I’m afraid I don’t really have any crazy anecdotes for you, well not any that won’t result in my being sued for all I’m worth (which aint much) anyway.

smallzone

At one point Smallzone was at an event every Saturday, including Marts, conventions, markets, car boot sales – you name it, and I was there selling little photocopied comics.
That slowed down really when a) I got a job that meant I had to work Saturdays, and b) I got a PC in 2000 and started to build the first Smallzone Website.
Now I just tend to do major events, with a few marts as and when I have Saturday’s off.chebsey

Andrew: Its true then about the car boot sales ? Was fun had ? How many comics would you have shifted ?

Shane:  Fun was has indeed, especially when the rain came as you can imagine. Comics and rain don’t mix!

Andrew: I had this problem with the market stall in Oxford. Rain built up the night before giving us a canopy of doom. Five or more mini comics shoppers were soaked.

Shane: It ended up being a waste of time, and that’s why I no longer do them… also, I no longer have a friend with a car.

Andrew: Though there were other zines and comics mail dealers, Smallzone was seen, I think by many, to be the main game in town. Am I right to understand this was (asides from the help of your family), a solo endeavour in terms of the physical movement of boxes and main administrative duties?
How many comics were/are you dealing with distributing at the height of Smallzone’s business?

Shane: Help from family? You must be joking mate!
I’m afraid it’s always been a solo effort really. I started with just 8 publishers, and now I guess it must be around 300 and I still make no money!
I do tend to carry lighter boxes these days though, my back wouldn’t manage as much as it did back in the day.

Andrew: Obviously theres a few ways in which folk can help ‘feed’ Smallzone? My own TRS2 micro-reviews used to run in Smallzone’s CAOF and Imagineers publications, for example. Or to go and do something independent as Oli Smith has done in Camden. Do you have a need for, and are you accepting, volunteer workers ? And how could folk help?

Shane: There’s no workplace for smallzone really other than the shop/ storage space at Infinity & Beyond and my spare room at home, so the best way folks can help the cause is to do distro themselves or set up stalls like Oli has done. I don’t often get to London, so Oli’s work at Camden is invaluable.

Another way folks can help is to link to the site, and publishers can help by listing smallzone as their distributor instead of not bothering.

Andrew: It’s long been held by myself and a few others that the Smallzone website is…well…fairly naff and ill-suited to looking at in terms of design. I think a superior volunteer web programmer might be welcome. On the other hand, the new Smallzone network for creators on Ning looks marvellous, really. Hats off, the design there is very refreshing. Inspired by a different approach to feeding distribution?

Shane: Well, I’m not a web designer, so I guess it is naff … yes. (You should have seen my first attempt when I was learning html, it was even worse).
However, no volunteer could possibly keep up with the work of updating the site the way I have to and I would not expect them to.
I am looking at buying a template with a full cart system, but as yet I’ve not found anything flexible enough to do what the current site does and not look like a template.

The Smallzone Ning community is not really a small press thing, more a comics industry meeting place without fans. I just thought it would be nice to include the small press in that and stay true to the original aims of smallzone… including giving small press the exposure and respect it deserves. No design involved on my part… it’s just a template network, but does the job very well.

However, something similar with a flexible shop template would be cool.

Andrew:  Travelling Man was a comic shop in your local vicinity which you managed to turn part of into a Smallzone shop, presumably with aspects of the Page 45 model in mind, is that right? How did this come about? What were the arrangements involved, and what gestures in space are available for someone to replicate what you had there, elsewhere?

Shane: I think the shop you are referring to is Infinity & Beyond in Shrewsbury near where I live.
I’d known the owners for many years, so when the space was available for rent I thought I’d give it a shot. The aim was to move more stock for publishers and to introduce Indy comics to more people.
It’s worked out very well on both counts. The rent means I still don’t make a penny, but it does shift stock, and gives me something to do with my weekends other than drink beer.
chebbo falling sky
I think it could be replicated elsewhere very easily and I have talked with another small press mover and shaker about branding the idea and moving it into other shops, but that thing called money makes it very difficult. I think in a city shop it would be profitable, but it would have to be a franchise to work properly.

Andrew: Travelling Man closed and I’m not fully aware of the circumstances. How much of this can be blamed on small press and mainstream obsessions with male power fantasies? And in relation to replicating the successes, what lessons were learnt for the hypothetical next time?

Shane: Don’t really know much about this, sorry.
I think it was just a case of… Oh I really don’t know, sorry.

Andrew: I understand a number of Smallzone distributed comics went missing, among the headaches for all concerned, in the closure of Travelling Man?

Shane: Yes, but only my own Scar Comics stuff, luckily the last batch of smallzone stuff had been paid for.

Andrew: Did anybody bother to accidentally or otherwise disappear my comics and how will I know? Have these issues been resolved?

Shane: Don’t worry Andy, none of your stuff was there.

Andrew: Seriously though, Bed sit Star Wars porn is immensely popular. Someone must have bought my comics, when was the last time you sold any?

Shane: Eh?

Andrew: Have you any desire to return to editing/publishing anthologies, and what’s interesting to you about the actual process of doing this or not doing this ?

Shane: I will – from time to time- do some more anthologies, although Andy Richmond is the half of Scar Comics that tends to do more of those.
My interest has turned to Graphic Novels. We have some great books in the pipeline that I hope will build on the success of Falling Sky, which –by the way – has now been optioned as a movie.

bics08

The Birmingham International Comics Show is a proper big grand UK comics festival managed by Shane, James Hodgkins and Andy Baker. It features such luminaries as Dave Gibbons and Daniel Merlin Goodbrey, and from what I heard the grand return of Hunt Emerson and his band to the Friday night stage. By clicking on the image you can view more details of the events, order tickets and find places to stay. The event has a new e-forum too which I expect to be filling up any time now. And to find out more about buying comics online and through the post, theres another below. I’ll be back with Shane next week were we talk more about the future plans and inner workings of Smallzone and BICS, in a very read-able piece including the words ‘boycott’ and ‘pay’.