20/04/2016: Blogging Axel America

Written back in April…

I’ve just laid down a chapter of Axel America, the final one, and wanted to share with you some thoughts and experiences on process. The novel’s an adaptation of my 2011-2012 comic book Hold the Phones, It’s Alex Jones. The comics were written through a series of story sessions with my best friend and longtime collaborator, Richard Barr and along the way attracted other co-conspirators: Benjamin Stone; Adam Lively; Geoffrey Wessel and Sean Duffield. We produced the comic over two ‘seasons’, and collected them behind a madly wonderful cover by Richard. Bleeding Cool covered the digital launch. That same night, Adam and I were drinking when we learned Jones had gone ballistic on Piers Morgan’s show. A Google image search for Alex Jones led with Richard’s cover for hours, and our main ebook seller, Myebook registered 15,000 previews. Sadly I later learned they were going through bankruptcy and we got nada cash. Further suckiness? Our collected comic just got too expensive to produce. (Though, the Kablam version looks great.)

Fast forward a few years. I’m writing prose shorts, about thirty to date, and gearing up for a book. I’ve a special one in mind, a favourite child if you will, but I wondered if it might be possible to ressurect Hold the Phones and put those stories out quickly as a novella. Well, there’s no such thing as a quick novella. Not a good one. I missed my own deadline by three months, but it’s happening. Richard was happy enough to let me run with what builds around the Co-Opted story he wrote, and which Adam drew. It’s about Alex nee Axel’s manipulation by a news network’s chosen Presidential candidate, and Axel’s children on the run. Adaptation can get pretty dull without new material so I crafted a Season 3 of stories that linked it all together, and introduced new characters. Axel insisted on seeing real enemies everywhere, so to give him a break and me a story, I should created a few. My own epic from the collection, ‘Global Agenda 2012,’ didn’t fit the feel of the novel, but I knew I wanted to include his fellow conspiracy theorists. Pretty soon they went from two chapter supporting characters to part of an ensemble.

Re-drafting: I’m quite happy to admit I’m good at this, but it’s laborious. In this case, it’s been the most fun I’ve had writing anything. I’ve laughed uproariously at my own jokes again and again and that’s not a bad sign. I made good time on the second novel draft, each chapter contained simply in a .txt. file. Richard saw about a third of the .doc and was keenly enthusiastic and critical. Fingers crossed, there’s a few back-lines to plant and a character to re-name as noted in my re-draft.txt. Also, two extra scenes to write because the piece needs them and Richard wants another go round, so we’re breaking those later in the week. Of the other authors from Hold the Phones, I could only bring back Sean Duffield (working on the cover), but there’s a strong sense the spirit of collaboration had something to do with how well this has turned out. Concerns? Getting it out before the November U.S. election; making a decision on publishing – once your first book is out, certain doors are closed. Overall? No disposable quickie, this book affirms why I chose to be an author. As a reader to another, you’ll love it.

Andy Luke, 20/04/2016

Gosh, that was only a month ago. I’m surprised how hard I’ve been working on it since then, and where it is now. I hope I can put out another of these this week. I’ve got news!

Flesh Mob – Update

I made the tough decision to put novella, Axel America, to one side for a while. The notion was to have it out for Belfast Book Week, but in a nutshell, the ratio of I’d-be-a-wreck to post-production-readiness is too wobbly. I feel sure the tale will resurface somewhere. I’ve been thinking over my working habits and how it might be time to go back to shorts.

In other news, my short story ‘Flesh Mob’, is in the running for a Titania (best of anthology) prize. Here’s a pitch I found behind a box,

Corpses move and feast on the innards, and city folk cram into the Occupy Belfast building! Now 99% are assembled, will they hold their safe-haven against the rotters as the summer brings another threat from outside? Andrew Luke, author of  Absence,  Twelve  and  To End All Wars,  draws on his knowledge of the Occupy movement, abuse survivor therapy and neuro-philosophy to create an all-inclusive edutainment of chomping rotters and ways to hit them.

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Oh look, got paperback! That’s Art reading the anthology at Farset. We were both so excited by the story, this is the only photo where he sat still.

‘Flesh Mob’ is in Tense Situations, which you can get through lots of different book-stores around the world. A good percentage of the sale price goes to Action Cancer. For a short while you can vote for the 2016 Titania Award for best story in collection at http://orb-store.com/tense.htm so please do. More info at that link.

 Right, I’m off to see Mark Thomas at the Black Box. Have a good evening you.

(Making) Bottomley – The Brand of Britain

This Friday night, wood, tyres and berries burn in Northireland. The same night, San Diego Comic Con will announce the Eisner Awards, where ‘To End All Wars’ has been nominated, twice.

I’ve felt quite alright about singing my part in the commendation. Although barely ten pages (under 1000 words most likely), I started work on ‘Bottomley – Brand of Britain’ in 2009, when political expenses and public austerity were daily headline news. Even on that trail, I didn’t realise how accurate a reflection of the time Bottomley’s tale was.

Born in 1860, ‘The Chief’ made a stack of cash from hostile takeovers, before moving into the papers. He’s all but forgotten now, but as Pat Mills says, he was a sort of Robert Maxwell of his day. Bottomley launched the Financial Times, and the first UK newspaper called The Sun. He’d be remembered only through his lead paper, ‘John Bull’. You know the icon of the fat hat with the bulldog? That was Horatio Bottomley, art commissioned by Bottomley. That dude was real, ugly.

bottomley on board ship - 1918

The re-telling started as a sub-plot for a graphic novel, but the intensive part-time study called for it to be it’s own piece. Three years later, I was still at it. I’d three drafts together when editors Clode and Clark put out the call for submissions for TEAW, and my script went under another three drafts to tailor it to the collection.

Out of work and out of money, I took a three month Invest NI course to receive a grant, a pittance really, but it would pay the illustrator something. Thankfully, both Ruairi Coleman and letterer John Robbins were on board already. John has been a long time friend, confidante and critic, and he’s probably the best comic book letterer in Ireland.

Ruairi Coleman, I didn’t know quite as well. He were young, always a sure sign of trouble, yet remarkably talented. From the get-go he was everything I hope for in a creative work partner. Ruairi took in the bundles of visual reference I sent, with eagerness, no complaint. He took it on himself to go through a number of articles on Bottomley, and sat through the hour and a half televised 1972 docu-drama featuring Timothy West, with it’s agonising awful cut-aways.

Bottomleys crowds - December 1917

Bottomley’s story is that of the Britain’s major recruiting agent. He sold the war largely through gallons of racism. As editor, publisher and columnist of ‘John Bull’, as well as frequent pieces in The Times, the papers were packed with anti-German sentiment: Germ-huns, bayoneted babies.

Bottomley -witch hunt

The same was true for four years of nationwide speaking tours for which he was handsomely paid. He brought theatre to sacrifice, including a two-part speech in which he staged a mock trial defending Britannia against the Kaiser, dressed as a judge. The photo above is from his earlier performance in Pickwick Papers. Eventually his greed got too much and jail finished him off.

For posterity, here’s a selection of pre-production images by myself and Ruairi Coleman.

Andy Luke - Bottomley - Joining the pieces

Bottomley - andyluke roughs

Bottomley's bobs

Bottomley - The Downfall 2 line pitch

Bottomley05 - Ruairi Coleman thumbs

Bottomley08 - Ruairi Coleman thumbs

BoB-02 - Ruairi Coleman thumbs

You can see more on Ruairi’s blog, and read of his experiences with ”H.B.’

Soaring Penguin Press are taking pre-orders for the soft-cover of ‘To End All Wars’. £1 of every copy sold will be donated to Médecins Sans Frontières. 

You can read my newest contribution to an anthology through Kindle. 20% of every copy of the £2 ‘Tense Situations’ collection, goes to Action Cancer.

Publishers boldly enquiring on other creative works of mine, around the Great War, might wish to contact me (link) for a copy of Lord Kitchener’s Shell Crisis board game.

Finally, here’s a select Bottomley bibliography. Because I love you.

Print

Hyman, A. (1972) The Rise and Fall of Horatio Bottomley, Littlehampton Book Services Ltd

Symons, J. (1955) Horatio Bottomley, Cresset Press. Reprinted 2008 by House of Stratus.

Electronic

AndyMinion (Sept 28, 2010) Horatio Bottomley: A Lesson From History. Retreived at http://lancasteruaf.blogspot.com/2010/09/horatio-bottomley-lesson-from-history.html [Accessed: 8th July 2015]

Anon (June 5, 1933) GREAT BRITAIN: Death Of John Bull, Time. Retrieved at http://www.time.com/time/magazine/article/0,9171,745621-1,00.html [Accessed: 8th July 2015]

Anon (Date?) Horatio Bottomley – The Soldier’s Friend, in Crimes of the Times: Law and Order After the War. Archived from http://www.aftermathww1.com/horatio1.asp [Accessed: 23rd October 2010]

Cowling, M. (2005) The Importance of Bottomley (Ch. 2, p.45-60), in The Impact of Labour 1920-1924: The Beginning of Modern British Politics, Cambridge University. Retrieved at Google Books.  [Accessed: 8th July 2015]

Lewis, Roy (Date?) Horatio Bottomley – Champagne & Kippers for breakfast. Archived from http://www.villagepublunches.org.uk/sussex-people-profiles/127-swindles.html [Accessed: 23rd October 2010]

Messinger, G. S. (1992) The Wrong Kind of Immorality: Horatio Bottomley (Ch. 13 pp.200-213), in British propaganda and the State in the First World War, Manchester University Press. Retrieved at Google Books. [Accessed: 8th July 2015]

Video

Mr. Bottomley at Yarmouth (1919) Film. UK: British Pathe Archives. Retrieved at http://www.britishpathe.com/video/mr-bottomley-at-yarmouth [Accessed: 8th July 2015]

The Edwardians, Ep. 7: Horatio Bottomley (2009) Film. Directed by Alan Clarke, UK: Acorn DVDs. Originally broadcast 28 Nov, 1972, BBC.

Occupy Vs Zombies !

That’s pretty much it. In ‘Flesh Mob’, Belfast’s streets run riot with anarchists versus zombies, and as survivors get ready to make the final push, the calendar enters parade season!

Political? Nah. You’re having a laugh!

Really. It’s just a right riveting read, a blaster of a thriller. It appears in  ‘Tense Situations’, which finds it’s way onto Kindle today. The listing says the book contains work from my friends in the Belfast Writers Group, so, right on it. Proceeds go to Action Cancer.

Tense Situations

Download from Amazon

So, a new Belfast artist collective…

Based out of an un-used but functional building on the Holywood Road, there are eight of us; a crew of writers, photographers, painters, poets, puppeteers and a musician. The core group have circled around one another for a year or two, pulling up chairs at the same open mics or at Dominique’s Bohemian Tales Café Club; so all should go according to plan, of some kind.

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29 Holywood Road, BT4 is a two-storey building that’s been vacant since 1998, the same time I began my practice it happens. The rental bill-board advertised a rent free period which is agreeable as the building is roomy, central and in good condition, once cloths and paint started licking it. This month we removed glass, rubble, wood from a large attic workshop, danced as the first sparks of electricity brought heat, kettle and computer to life, run spray and hot cloth over kitchen and bathroom and had one of those boring General Meetings: after a morning of sultana and cherry debauchery I may have wound up as secretary/admin/website guy. The first draft of this was typed at my own desk in the office I share with Dominique.
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I put up a Soundcloud interview with Dominique Hoffman a few months ago. Bohemian Tales is the story of an every-man living in the upheaval of Prague, 1967-68. The book has aspects of Euro literary café culture. In a marriage of social-creative event and book promotion, Dom’s monthly Bo Tales Café Club seeks to evoke the spirit of that. ABC is her baby, and the collective are the baby’s family.

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She and muso/writer Jim McClean have been arranging plasticine models, frames and toy trains around the place.

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On February 7tht we have our first public event, the Café Club. I’m sure we’re not ready yet, but it’s beginning to look the part.

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We’re getting there.

New Book Days

Well, finally it has arrived.product_thumbnail

To End All Wars – The Graphic Anthology (TEAW as we’re calling it), was worth the wait, for it’s a prestigious brilliant collection. Editors Clode and Brick and publishers Soaring Penguin have done a bang up job. You can get the 320 page hardcover from Amazon for £13, or if you’re feeling generous, £18 from the publisher. £2 from each edition goes to Doctors Without Borders.

To my surprise, another graphic novel with a few pages from me in it popped up this week. Factor Fiction Press published the Midwinter Comics Retreat Flipbook which comprises Project Gogglebox and Tea And Relative Diffusions In Shropshire. It’s 56 pages, and with postage comes to £6.50 from Lulu.

Something tells me I’m not quite done  making comics as I thought…

Last week, I appeared on Bangor Community Radio with Arts Hour host Ellie McKee to talk about the book. Both of us were short on sleep but managed to get a competent broadcast out. Listen for me turning the tables on Ellie around the 17 minute mark.

 

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Here’s a video put together by Brick to show off TEAW. You could play it while listening to the interview, but you’d be missing out on the wonderful soundtrack he sourced.

Ellie’s Four Season Summer is out now for Kindle at this link-up, and Season’s End will follow on August 31st.

Four Season Summer Seasons End Out August 31st

 

 

Treading the Boards

If you’re near Glasgow this week you can get along to ‘Guide Gods’, were performer Claire Cunningham explores religious narrative and faith through dance, live music, humour and audio interviews with religious leaders, academics, deaf and disabled people, and me.

Guide Gods

Claire’s website has a list of this week’s dates  and according to Composer Derek Nisbet on his Guide Gods blog, the show “is part of the Glasgow 2014 Cultural Programme, and will then travel to London’s South Bank Centre and on to Belfast Festival.”

Recently I’ve struck up rather nice working relationships over Open Mic sessions with musician Jim McClean  and actress Lindsey Mitchell. To this end we’re working on a play together, a condensed Game of Thrones play. We’ll be performing the comic act at the Sunflower Festival, TitanCon and are talking of a screening of the play at a well-known Belfast gallery.

Writing this, I’m surprised that my voice is making the transition to theatre. This last year, it’s been all about the writing. Writing prose over, scriptwriting for comics, feels refreshing and liberating. I feel like I can earn some money if I work hard enough. Unlike comics. a beautiful medium, were grossly underpaid workers are slowly subsumed by a culture of silverfish turned woodworm rot.

Ahem…

Writing prose is enough of a departure from scriptwriting to enthuse: I feel like an amateur who can achieve professionalism and a paycheque. Knowing I have a lot to learn is a great feeling. I’ve been encouraged by the Belfast Writers Group and open mic audiences at Skainos and Lindores. Last month, I applied to return to university on a Creative Writing Masters so I can up my practice.

Parting shot to the world of comics (for now), is the short, Bottomley – Brand of Britain. The product of much research, it’s been adapted with care by artist Ruairi Coleman and letterer John Robbins. Here’s how editor Jonathan Clode pitches it:

Horatio Bottomley, patriot and publisher of John Bull, the newspaper of the people. But behind his rousing public speeches and staunch support of the troops hides a conspiracy that would reveal one of the greatest swindles of WW1.


That’s Bottomley’s mistress, Peggy Primrose, in Panel 4, putting her hat back on after it was knocked off in the squash.

The tale appears in To End All Wars, a remarkable 320 page graphic novel with  stories by a number of established underground comixers. It features the return of the  remarkable Steven Martin of WW1 comics series, Terrible Sunrise, as well as Jenny Linn-Cole, The Pleece Brothers, Sean Michael Wilson, Joe Gordon, Selina Lock, Steve Earles, Robert Brown, John Maybury and shedloads of others.

The book is released on July 17. Copies are available for pre-order now on Amazon or, at the same price, direct from publisher John Anderson at Soaring Penguin Press. Costs £18 all inclusive and proceeds go to Médecins Sans Frontières/Doctors Without Borders.

“Is that in Ireland?” Gothic Time Travel to celebrate the 50th Anniversary

This last week I’ve mostly spent in bed. I’ve been beset by a vicious abcess causing the right side of my face to swell. My eye flames. I’ve only begun to regain the strength to  write and I’m doing that now because I’ve a really brilliant product to promote.

Twelve by Horrified Press (140 pages)

Prepare to get lost, as the time-traveler and his assistant venture into dark space.
It’s time for authors from around the world to unofficially pay homage to the longest-running science-fiction show in the world, and unleash their own tales of futuristic terror.

My offering ‘Skin of the Teeth’,  (gulp!) gives us the first glimpse at the time traveler’s relationship with Ireland as he pursues a mystery in the formed deep in Belfast’s sewers, and an enemy floating  in the skies, which leads him to a conspiracy at the birthplace of The Titanic. 

Digital £3.00 http://www.lulu.com/shop/horrified-press/twelve/ebook/product-21278364.html

Print £9.99 http://www.lulu.com/shop/horrified-press/twelve/paperback/product-21242606.html

DRIFTING THROUGH ETERNITYPart of a clockwork with a dial
Mark Slade

THE ROTS
Wol-vriey Jesuito

THE ROGUE PLANET
Gavin Chappell

MIRRORS IN FOG
E.S. Wynn

FLIGHT OF THE DEMETER
Martin Feekins

IN LIGHT OF DARKNESS
Nathan J.D.L. Rowark

TIME TELEVISION
Paul Melhuish

SKIN OF THE TEETH
Andrew Luke

NEANDERTHAL
Todd Nelsen

THE LAST EPOCH
Jason Barney

WIGAN GOTHIC
Matthew R. Davis

MUTUAL ASSURED DESTRUCTION
Jay Wilburn

TRAVELER
Gary Murphy

THE CREATURE FROM THE BOG
Angela Pritchett

Thanks to Nerdgeist and Time Warriors for offering publicity but I could really use your help sharing this. Let me or editor nathan.rowark @ live dotco dot uk know if you do. There may be free samples or interviews on offer for those bloggers and journalists who do.