Publisher Tom Humberstone – Launching Solipsistic Pop #2

A re-blog from the archives of my regular column for Alltern8; Comicking.

“Solipsistic Pop is a biannual anthology designed to spotlight the best in alternative Comic art from the UK.”sp2cover

The first issue was part fashionable show-off object full of comics such as,

“Meanwhile”: Robbie Wilkinson’s deranged fantastic Kahlenberg and the fever mind demons of the Social Security Agency offices.

Rachel Reichert beautifully colouring a spider into a butterfly.

Monotone sleepwalking and premonition by Anna Saunders.

Phil Spence’s iconic Ninja Bunny, unconfined in Eastern landscapes

Friendship and stability amongst the televised generation, in Tom Humberstone’s real “Special Guest Appearances”

manifesto pop

Tom is the one of the great folk identified with Solipsistic Pop and with Volume 2 launched only a few days ago, it seemed we might like to read an interview with him.

Andy Luke: Hi Tom, I really enjoyed your American election coverage.

Tom Humberstone: Thanks Andy. That seems like a long time ago now. I really miss it actually. I’m hoping to return to America for a prolonged period of time again as soon as I can. If only for the bagels…

Solipstic Pop Fashion

AL: I get the impression Sol Pop people are all young, thin, talented and incredibly gorgeous. What’s in it for old wrinkly jaded fatties like me?

TH: No, I’m pretty hideous. But if the work implies an inherent beauty within all the contributors, I’ll take that compliment. There are some artists involved in Solipsistic Pop who I’ve only spoken to via the internet. The work is, of course, the most important consideration when putting together the line-up. Physical appearance should have very little to do with the artists or the audience. Maybe I should have gone for a funny answer though…

quadropticon01

AL: In your reading, do you have any particular stand-out favourites? For me Mark Oliver’s “Quadropticon”, a comic which will be readable whichever way up you hold it, is quite seducing…

TH: It’d be unfair for me to single out any particular highlights of either book. Best to leave that to someone more objective. Most reviews of the first book selected different pieces to discuss which is what you hope for with an anthology. Everyone taking part is in there because I love their work and want to publish it so it’s safe to say I’m a massive fan of everyone involved. You’re right though, Mark’s Quadropticon is an amazingly inventive piece and well worth wall space in anyone’s house.

Solipstic Pop Manifesto

Above: An excerpt from Kieron Gillen’s manifesto, full version here.

AL: I really enjoyed the text piece manifestos by yourself and Kieron Gillen. Is that attitude and ethos indicative of how Sol Pop came about? Is everyone involved a drinking buddy with a mutual awesome feel towards each other’s work?

TH: Kieron’s introduction was a wonderful addition to the book and something which still manages to put a smile on my face. The manifesto I wrote with Matthew Sheret was something that was written to lay the groundwork for what we wanted to see happen in the UK comics scene and the comics industry in general. It set an agenda for Solipsistic Pop and Sheret’s We Are Words + Pictures. Most of the points in it are fairly self-evident and those working in comics wouldn’t see anything in there that seemed revolutionary at all. But the point was to collate those thoughts and somehow use them to form a blueprint for what we wanted to achieve over the next few years.

Some of the artists in Solipsistic Pop are good friends who work in entirely different fields but whose work has always seemed appropriate to comics in my opinion. When I set out to make Solipsistic Pop, I knew I wanted the contributors to be a mix of established alternative comics creators, up-and-coming creators, and people working in other media giving comics a try. The result is a a varied mix of surprising and fresh approaches to the medium which I find really exciting.

(SOME IMAGES MISSING)

AL: There’s a conscious decision not to make a comic but a packet of comics, with inserts and inserts. This is a hark back to the comics with free gift days, or calling attention to detail?

TH: It’s not so much trying to mimic a specific ‘free gift’ approach but more about making the most out of a physical object. With so many fantastic digital options available to comic creators and publishers, there really needs to be a *reason* for the comics to exist in print. Beyond the high production values of the organic inks, high quality paperstock, and lithographic printing techniques – I also wanted to make each volume a boutique object that is uniquely suited to the content and theme of each book. The first book contained mini-comics as a nod towards the humble small-press UK comics scene and my fondness for the charm of crude, photocopied booklets. Both books come with a newspaper insert which references a Sunday funnies approach. A tradition which informs the American comics scene and which has thus informed our understanding of the artform too. These additions are carefully considered and, if anything, have more in common with the McSweeney’s Quarterly Concern approach to publishing.

AL: How is it funded? Surely production and distribution costs eat up a lot…. (the free style bag-for-life is kinda pretty)

TH: Yeah, Philippa did a superb job with that design. I fund Solipsistic Pop myself. Using savings and whatever freelance work comes my way on top of my full-time job. It’s a struggle. And it has meant that publishing my own work has had to take a slight backseat. But it’s worth it. I’m incredibly proud of these first two volumes and I’m already excited about my plans for Solipsistic Pop 3.

AL: There’s a question I should have asked you but my girlfriend just broke up with me. What was the question and it’s answer?

TH: Oh… um… wow, this is awkward…

You buy a copy of the newly released Solipsistic Pop via their website. Volume 1 was subtitled and themed “Broken” and the new edition, “Middle”

Never Mind The X-Men, Its X-Mas!

A re-blog from the archives of my regular column for Alltern8; Comicking.

At this time of year, black-belts and red puffer jackets are in. However, before you congeal cotton buds for that handcrafted beard, why not consider the loving homemade gifts already for sale? Comics activists including Andrew Geczy and Matt Reynolds here at Alltern8 and others, have already compiled some lists of easy to pick up comics. The independent press offers items offers items cheaper and often so personalised that the recipient knows they’re one of a kind. And how better to have the gift delivered than right from the cartoonist’s own hand?

For the admirer of Pretty Things…

sallyannehickman 2009

Shopping at fairs, I prioritise picking up the work of Sally-Anne Hickman. Yes, always great value for money. They’re instantly recognisable, emanating sound mellow vibe covers made from wallpaper and glittery stick-ons. Lovely little things, with energetic and youthful scribblings of the author’s comic-book diary, full of character and conversation. In one of my favourites, “Have you got all your cds & things?” we get an honest, fearless and involving tale of a friendship at departure point. These are pocket-size, affordable and lovely graphic novels, all of them. You can email Sally-Anne at sallyshinystars (at)hotmail(dot)com or contact her on Facebook, a link for which can be found alongside some samples at her blog. You should be able to pick up her books for £4 or less.

druane 2010

“One Word for Everything” is a tastefully decorated collection of strips by Deirdre Ruane that should appeal to the fantasist, spiritualist and party-goer in your life, or anyone who enjoys surprises really. Deirdre describes her work better than I possibly could,

“polar bear temps. black holes in language. strange hovering artifacts. racing snails. festival dawns. selfish genes. the kitsch of the future. a caveman who dreams of aeroplanes. everyday time travel. why sex is like ice skating. why spaceships make me cry.”

Celestial festival, friendship and feel-good, melancholic and hilarious; multi-style, patterns and swirls of grace collecting strips from her fast-shifting “Wasted Epiphanies”. More details on the book at the Shop page were Deirdre will accept Paypal.  The collection costs £4.50
Other than the few sample jpegs obtained for this review, I don’t own any wares made by Richy K. Chandler. How could I recommend them for this special time of the year? Behold!

richy k chandler 2010

I have seen these up close and they’re every bit of pretty. The packaging is professionally crafted and the comics, just as much. Made of Presents! For further details and samples, check out Richy’s Myspace page. The “Cosmically Enlightened Gift Set” costs just £5 and the “Mini-Comic Box Set” is sterling value at £10, plus £2 postage and packing for each. Top tip for a tasteful gift, which is    probably too good for High Street shops everywhere.

For the Lover of Comedy….

Ralph Kidson is probably the funniest man in comics. He delivers post-modern pondering, one-dimensional veneer built to hide a variety performance showcase, bare visuals carrying superb pacing, concise character expression and obscenities, lots of obscenities. Ralph is a consummate social commentator, a snorting punk, a fantastic lover and I can count the comics of his comics I’ve been disappointed with on two fingers.

This is the perfect gift for a friend who likes edgy and relevant comedians. So why not let wish them a Sweary Christmas? *ahem*
Ralph’s tactile “Giant Clam” pocket books are a well spent £2-£3 incl. postage and packing from the Forbidden Planet shop. (123)

A few looks at quality mini-comics that won’t break the bank:

For the Artist….

Bloc by Oli Smith and Oliver Lambden

Back in June, I called Oli Smith and Oliver Lambden’s ‘Bloc’ “one of the best UK comics this year” and it still resonates. Doctor Who scribe and general independent comics revolutionary Smith says of it,

“A postmodern fairytale, BLOC is the story of a stone man washed up on the beach of a mysterious island covered in giant floating blocks…”

Indeed. In the abstract narrative within, Smith deals with themes of physics, psychics, play, philosophy and environment. Not bad for a visual instruction only script. Artist Oliver Lambden excels, whipping out strokes of Kirby, Simonson and Moebius in a work that evokes epic qualities of artistic structure. Not only do both creators significantly up their own games, but re-write comics language, stripping away its facade and celebrating it at once. The book is a tidy baige-coloured volume, classy and worked. Affordable stocking filler, definitely ideal for an artist friend. 48 pages, cost approx. £4 from Oliver Lambden.

John Robbins 2009

Iconic models and their environment also feature in John Robbins ‘Inside Outsiders’, another of the finer comics I’ve read this year. Heres his ad blurb,

“Psychosexual subtext pervades this League Of Extraordinary Toy Story as action figures undertake the perilous search for a fellow room-dweller who has fled an emotionally complicated relationship with a promiscuous Bratz doll.”

Robbins’ piece is shorter and wordier than Bloc, but equally a thriller. Its written with comedic mischief, multiple definitions, paradox, and clever pace to the proceedings. Visually, its been crafted loyally with full-figure as portrait style, lacing fantasy within reality and functionality. This excellent example for good comics is a bargain at only 1.75 Euros/$2.50 US/£1.50 UK, postage included. Adults only. Available to buy at Blackshapes Shop.

The small press has also turned out a few graphic novels of note. Some of these are available in comic shops, but before that, some which aren’t.

For the Trad Comics Action Story Fan..

Winston Bulldog

The United Kingdom has had its fair share of larger-than-life comics icons: Dennis the Menace, Roy of the Rovers, Judge Dredd and Captain Winston Bulldog. Over the mid-nineties and this decade, writer Jason Cobley worked with upwards of thirty artists to deliver tales espousing the stiff-upper-lip of Blighty: eccentric, corny, brave and dashing. Alongside his action narrative, illustrators present a highly structured British metropolis, detailed with anthropomorphic and sci-fi scenes as well as stylised minimalist solid designs that are difficult to put down. Some of the strips don’t lend themselves quite so well to the reproduction, but this package is a valuable cultural historical artefact of a generation and an essential reference point in British comics. Simple action dynamics, occasional insightful humanity and some damn fine fun. With a perfect bound full colour cover the complete 208 pages can be purchased for the bargain of £7.99 here.
For the Lover of Myth and Legend….

Ness 2009

“Ness” is the opening work to Paddy Brown’s “Ulster Cycle” comic, were figures and environment gain dimension through directional pen scores and academic research shifts seamlessly into unafraid working narrative. Daughter of the king of Ulster, Ness goes on the run to track down a murderous outlaw, with a looming war between Ireland’s kingdoms for backdrop. The mythology is complimented by Paddy’s occasional lighthearted anachronisms in the script, but the meticulous adherence to source material makes this a fun educational tool as well as a great old yarn. The A5 graphic novel, collects “the full 72-page story in black and white, plus full colour cover, pronunciation guide and seven pages of notes.” and is well worth the £4.99 (incl. postage for the UK and Ireland) payable through Paypal.
Finally, two works which you should be able to pick up pretty much everywhere:

Last Sane Cowboy

Sand and skulls and the disparate wildness of literate West. Daniel Merlin Goodbrey examines contemporary anomalies through the prism of Western genre and computer-aided minimalist projection is that of a modern-day conjurer in this collection of “Tales from an Unfolded Earth”. These tales are sociology: ‘showing’ often only one or two characters, a sense of their connections with an entire society is ominous and eminent. The meta-narratives character studies’ come with personal histories, labour relations and linguistics among flowing sequences and HD coherence. Merlin Goodbrey is best known for his pioneering work on hypercomics, its to his credit that here he accomplishes providence of something with a similar highly personal feel. “The Last Sane Cowboy and Other Stories” is a cult classic and £7 or $13 well spent.  Its published by AiT/Planet Lar and you can find it on Amazon and other places.

Phonogram TSC

Phonogram has re-fuelled my interest in comics, my love towards music and is not only one of the greatest comics being made today but also the simplest.  David Kohl is a phonomancer; he uses music to make magic and because he’s a prick sometimes that goes bad. The other main character of this book is Brit-pop, a revivalist movement linked with Kohl’s essence and rewritten, along with natural reality. In writer Kieron Gillen theres all the aspects of a fantastic music journalist, teacher, poet and creative commercial visionary with tolerable arrogance, taking his cue from Moore’s definition of magic. Artist Jamie McKelvie takes his from Grant Morrisson with designer biography sigils, smart, savvy, smug and infuriating characters. Both lads are to be awarded for bringing real, relevant, clever concepts and scenarios to the audience.  Phonogram Volume 1: Rue Britannia is published by Image and you can pick the collection up for under $10.

Enough from me, Go, load up your sleigh!