Treading the Boards

If you’re near Glasgow this week you can get along to ‘Guide Gods’, were performer Claire Cunningham explores religious narrative and faith through dance, live music, humour and audio interviews with religious leaders, academics, deaf and disabled people, and me.

Guide Gods

Claire’s website has a list of this week’s dates  and according to Composer Derek Nisbet on his Guide Gods blog, the show “is part of the Glasgow 2014 Cultural Programme, and will then travel to London’s South Bank Centre and on to Belfast Festival.”

Recently I’ve struck up rather nice working relationships over Open Mic sessions with musician Jim McClean  and actress Lindsey Mitchell. To this end we’re working on a play together, a condensed Game of Thrones play. We’ll be performing the comic act at the Sunflower Festival, TitanCon and are talking of a screening of the play at a well-known Belfast gallery.

Writing this, I’m surprised that my voice is making the transition to theatre. This last year, it’s been all about the writing. Writing prose over, scriptwriting for comics, feels refreshing and liberating. I feel like I can earn some money if I work hard enough. Unlike comics. a beautiful medium, were grossly underpaid workers are slowly subsumed by a culture of silverfish turned woodworm rot.

Ahem…

Writing prose is enough of a departure from scriptwriting to enthuse: I feel like an amateur who can achieve professionalism and a paycheque. Knowing I have a lot to learn is a great feeling. I’ve been encouraged by the Belfast Writers Group and open mic audiences at Skainos and Lindores. Last month, I applied to return to university on a Creative Writing Masters so I can up my practice.

Parting shot to the world of comics (for now), is the short, Bottomley – Brand of Britain. The product of much research, it’s been adapted with care by artist Ruairi Coleman and letterer John Robbins. Here’s how editor Jonathan Clode pitches it:

Horatio Bottomley, patriot and publisher of John Bull, the newspaper of the people. But behind his rousing public speeches and staunch support of the troops hides a conspiracy that would reveal one of the greatest swindles of WW1.


That’s Bottomley’s mistress, Peggy Primrose, in Panel 4, putting her hat back on after it was knocked off in the squash.

The tale appears in To End All Wars, a remarkable 320 page graphic novel with  stories by a number of established underground comixers. It features the return of the  remarkable Steven Martin of WW1 comics series, Terrible Sunrise, as well as Jenny Linn-Cole, The Pleece Brothers, Sean Michael Wilson, Joe Gordon, Selina Lock, Steve Earles, Robert Brown, John Maybury and shedloads of others.

The book is released on July 17. Copies are available for pre-order now on Amazon or, at the same price, direct from publisher John Anderson at Soaring Penguin Press. Costs £18 all inclusive and proceeds go to Médecins Sans Frontières/Doctors Without Borders.

Bounce!

Dates for your calendar: the Mercurial Stephen Downey and I will be inviting you to make comics with us at The Arts and Disability Forum in Belfast. We were there in February and executive produced the baby leviathan, Beneath The Tide.



 Beneath The Tide, featuring the work of Gareth Smyth, Andrew Cochrane and Roisin O’ Hagan.
You can see the full project behind this strip by downloading the pdf version which also features work by Richard Barr and Bisson. [15mb – pdf  link]

The event is on Saturday 25th August. It’s free, and limited to fifteen places. Please get in touch via info@adf.ie if you’d like to be on board.

ADF Festival logo designed by Gillian O’Hagan

It’s one of the first acts in the ADF’s week-long Bounce! festival. The programme has a number of people excited  with an enormous roster of talent including Sinead O’Donnell, Garry Robson, David Hoyle, animator Joel Simon, Dan Eggs, Andrew Cochrane and Claire Cunningham.

More news on the Arts and Disability Forum website, including links to the programme and purchasing for ticketed events. [

I’d a lovely weekend at the Dublin Zine Fair run by the nimble Sarah Bracken and her team. Paddy Brown did a lot of arranging for us to be there, and there was a very positive turn out. I managed a spontaneous short comedy open mic bit, and got a lot of new friends from the series of six interviews I did with artists last week.

Sold a fair few comics too, including my sequel to Optimus and Me. Unfortunately Moods of Prime went out with a page error. It didn’t make a difference to the great story, but I thought I’d reprint the correct sequencing here.

My KaBlam/IndyPlanet copy of Hold The Phones, It’s Alex Jones! arrived looking like a grown-up magazine gospel rocker dancing on ice. The Series 1 11 page preview has racked up over 5,000 views.

The book has 28 pages of new material and costs  $3.99 plus Indyplanet’s postage fees, which from the UK are a whopping $10. [Link to IndyPlanet print copy]

But you must have your forty-four pages of big fat Sitcomspiracy. The Myebook digital is still only £1.00, and works out well. [Link to Myebook Digital, gets me 90% of the sale, and so sell cheaper]

You can buy Moods of Prime in black and white for £1.25 or £2.50 in colour (plus and extra £1 for far overseas), by sending the amount over Paypal to drew.luke@gmail.com and including your address. All sold out of my own copies of Hold The Phones.