Part 2D: Derry Comics Festival

A re-blog from the archives of my regular column for (now extinct) Alltern8; Comicking.

Photos by Ciaran Flanagan
Following on from last week’s report, the indie comix tour picked up at Sandino’s Bar in Derry for the fourth annual 2D Festival in Derry, NI.

Or rather outside the bar. The pavement has some seating (and twenty kegs), and as 2D “raises the bar”, each year the street fills further.

2d by Ciaran Flanagan

Inside, I was missing the ‘Social Commentary in Comics’ panel where Pat Mills spoke about Crisis, and ‘Everyone’s a Critic’, (photo above) which didn’t seem to have much focus in the twenty minutes I sat in it. (Though Ron from the Sunnyside Podcast was throwing out some great comedy moments.) On top of the drink and the food I came down with a dose of professional jealousy. I’ve slogged away at comics criticism for a decade. Oh well, I groaned. I’d wanted to put more time into making comics anyhow. (Skeptical readers can look out for my appearance at the Breaking into Comics panel in 2017 folks.)

This was pretty much the end of my getting any more professional revenue from the 2D Festival 2010. The rest of the evening was spent having mystomach operated on watching Mark Stafford dance like a Baachanalite pro.Lew Stringer
Conversing with Phil Barrett, Paddy Brown, Ger Hankey and Aiden, the editor of Irish language comic, Ri-Ra.

I’d managed to drive all but Phil away, spreading my arms over the back of the dumpster, beckoning for a fight.

2000 AD ain’t shit! Come on, why should I should read 2000 AD? It’s not so feckin great. Who’s man enough? Give me five good reasons. Bring it!”

After Phil had calmed me down on the mob’s behalf, Ger and Aiden returned. The conversation led to the importance of the Transformers comic in our growing up. (Ger Hankey is the quintessential Transformers professional: his portfolio captures the height of it’s powers: sign up someone!) Every week, we were delivered a cultural injection of action adventure morality in original narrative and cosmic art.

Lew Stringer“, said Aiden.
Lew Stringer is the artist behind Brickman, The Suburban Satanists, Robo-Capers and Combat Colin. The latter two ran in Transformers, and Stringer’s pieces apppeared in most of the 332 issues of the series. So Aiden theorised that the comic’s success was due to him. Redeeming myself, I agreed that Lew’s work formed a central part of this generation’s cultural consciousness.

clint1I’ve long been convinced Mark Millar gets way more column inches than he deserves. In soliciting big name creatives Johnathan Ross and Frankie Boyle in his forthcoming CLint

comic through UK newsstands, he’d earn his current attention. But where was Lew Stringer in all of this?

How could we, one mankind, united brother to brother and sister by Lew’s good works, have a regular British comic without content from Lew Stringer? So, I staggered to the hostel, and created a petition, and fell asleep. I figured this was the kind of thing to do while drunk.

5th June
Saturday of 2D is sales and signings day. I had the misfortune to have my white and black comics in the corner beside the good chaps at Comics and Collectables, the Derry comics store.

My booklets seem to take on a blank space and serve as Coca-Cola bottle coasters for the under-14s. Sales were slow, though this was going around. New stock for the Belfast market was acquired including Tommie Kelly’s From Rags to Rockstars, and two new Something Wonderful mini-comics, which gave the chuckles.

In the evening, food at a fancy meat joint with Barrett, Brown, Maeve Clancy and a few others. We returned again to Sandino’s, as full as my stomach. I had a pleasant chat with Glenn Fabry about mutual acquaintances and locality. However, the rest of the evening was a blur and I left early for the comfort of the hostel.

2d again by flanagan verbal arts

(Above: A quiet moment in the dealers hall, tiny stormtrooper and a talented young artist trying to raise some money to fund his university education. Photos taken by Ciaran Flanagan, 2D assistant and reviewer of graphic novels for the (venue), Verbal Arts Centre magazine. Below: the pub again)

2d sandinos flanagan 2010

My 2D experience this year was a downer. Feelings of depression, inadequacy, missed opportunities and hangovers. By the end of it, I was shattered and giving serious thought to my future with comics. As it has been turning out, this was fundamentally a good thing. Everyone I spoke with about the event volunteered they had a fantastic time. The organisers, David, Ciaran and other creatives handled with a professional respect that should be the envy of many. (I’m told Chief runner David Campbell had become a father only weeks beforehand, which makes this ADDED WINS.) Our sincerest thanks to the team for a great weekend.

 

If you would like to read some more about the event, check out Aaron ‘Ron’ Abernathy’s report for Culture NI on “the most relaxed’ comic con festival around”. There’s also some great video footage from the event.

 

6th June
Ah, but I’ve over-run my word count. Look out for Part 3 over the next few days as the tour moves from Derry to Belfast to Dublin and back.

 

Part 1: Black Panel Tour

A re-blog from the archives of my regular column for (now extinct) Alltern8; Comicking.

Black Market CQAF

May 2:

Cathedral Quarter Arts Festival brings to Belfast a wealth of creative acts each year. Traders turn up to the fat gazebo at 10am, rather than 11:35, for the midday start. Big black tent. In retrospect, quarantine zone and reflection of the darkskies. The only lit area is a huge spotlight which spends the day trained on my retinal damage. Paddy says I’m being grumpy today, I think (later), that’s his expression of the same. A room-sized sound system scalps my ears, steals my notions away from the quality of talking with customers. I’m worried the cognitive connect will place us at the marquee, rather than the usual venue. Paddy and I make the same money as a usual day, but not so the artists we’re stocking. I have two days migraines.

Black Market Marquee

The event lasted for only four hours. I wish I’d noticed that before setting my alarm.

Good stuff: I liked the painting wall and peanut butter cupcakes. Ok, the music was okay.

Black Market Marquee 2

Lesson to event organisers: Think about what works. Don’t hit small markets with formed standards of big markets. It’s wanky and regressive.


May 5: We’re invited at short notice to be part of the Black Market for kids special but decline. Ri-Ra, two issues to date, is a great Irish language comic with great artists. Less than half our indy comics are suitable for kids, Ri-Ra and Hilary Lawler’s SuperHillbo are the only ones with an aim close to them. Paddy issued a call for more kids comics last year on his blog. The event was held in a marquee somewhere.

May 6: Belfast Comics Pub Meet is turned into a Drink n Draw. At the request of Stephen Downey I script a quick Batman comedy. Animator Ann Harrison of Celtic Dragon Studios is lashing down pencils and erasers of female characters. (The Pratchett visual opposite is from Ann’s blogspot) Paddy Brown speed-draws Iron Man and Stephen Downey is photographing everything in sight like a contortionist with part tricks.

Email comes through. Upcoming Black Books is our final one. By and large our comics stall has been successful, but we’re the exception. The event is cancelled as a regular bit, asides from a Trans July 18th event. (Trans aim to offer an alternative to Ulster July-festivals, away from the drumming and burning of stuff. They facilitate both the Black Books and Black Market events).

May 8: Interview with Phil Barrett, our best-selling cartoonist. You can read that here.

May 16: The final Black Books and again we draw in the crowds and the cash. I’ve begun to gather a fanbase and get a few sales of ‘Absence’, including off the back of my previous 24 hour comic. I don’t have any photos of this, so here’s one from a previous gig. (missing again)

Left to Right: Andrew Croskery (Kronos City), One satisfied punter with my comic. She also picked up a copy of Cancertown by Stephen Downey, and on the end next to him, beside the comics and handbags, my stall-mate, Patrick Brown.

June 2: Back from the pub meet where PJ Holden is seducing us with his “Ippad”. The printer on loan from a writer friend has been buzzing all week, replenishing stocks of the sold-out ‘Absence’. Map and bus ticket? Check.2D

June 3: The Derry Verbal Arts Centre for the 2D Comics Festival. Gary Erskine is looking over my thumbnails and generally being quite helpful and enthusiastic. Garry Leach comes over for a look too. The twenty other students making up are busy at their thumbnails.

Walking along the walls with organiser David Campbell I’m treated to a view of Phil Barrett‘s new collection which has been run through his printing and publishing service. Also joining us on this downhill trip are Pat Mills and the unexpectedly stable and attuned Glenn Fabry. I’d expected him to be drunk and cursing about women. A total pleasant gentleman.

Before I know it I’m in a sort of green room: softly lit comics celebrities across the skyline. I don’t know any faces to names and spying Barrett in the corner, make my way across before security turfs me out. At dinner, we’re joined by Colin MacNeil who is also pleasant. I don’t know where all these tortured artistic psychos are that I’ve heard so much about.

Then, it’s off to Sandino’s Bar. Glenn has heard it’s a socialist conspiracy venue full of rant and rage. I miss the first panel as I stop for a Guinness outside in the evening sun. It is to be a harbringer of things to come.

Look for Part 2 of The Black Panel Tour in a few days on Alltern8 as Andy tries to sell his work at three comics markets in a week. If you’re in Dublin on Saturday, you should join in. Details here.

2D: Northern Ireland’s Festival of Comics

A re-blog from the archives of my regular column for (now extinct) Alltern8; Comicking.

The European City of Culture 2013 is the site for 2D. Although in its early years, the Derry/Londonderry festival is the closest Northern Ireland has gotten to a proper comics ‘con’ (if you must), and shows every sign of holding in there.2D

This year’s guest list is as impressive as previously: Pat Mills, Glenn Fabry, Leigh Gallagher, Rufus Dayglo, Garry Leach, Gary Erskine, Colin McNeil, Ilya, Emma Vieceli, Steve White (Titan), Will Simpson, Stephen Mooney, Nick Roche, Davy Francis, Bridgeen Gillespie, Phil Barrett, Maeve Clancy, Stephen Downey, Joe Campbell and the 2D Collective. Oh, and Paddy Brown and myself will be there too.

Details on the event have been slow to emerge and the organiser wasn’t available for interview. It appears the Facebook page may be the place to watch having supplied the above details and the following events list:

Tuesday 25th May – Friday 4th June – 2D presents ‘Irish Comic Art’ exhibition at the Void Gallery.

Thursday 3rd / Friday 4th June daytime – workshops

Friday 4th / Saturday 5th evenings – panel discussions

Saturday 5th – Comics Open Day

Somewhere among all that, “2D will be hosting the Titan Talent Search with Steve White (Titan senior editor). There will be opportunities for portfolio reviews and there will be prizes for the best portfolios. Anyone interested or would like to find out more please get in touch. Full details to be released soon.”

In previous years, the Thurdays events have typically been aimed at children and teenagers. On Fridays and Saturdays, the approach is much more all-ages, with these events being held at the Derry Verbal Arts Centre, high up the wall and hill. The Comics Open Day there provides free tables for guests and exhibitors, so for artists on a shoestring budget like myself, it’s a godsend. In the evenings, the event is at Sandino’s, a traditional Ulster pub, the sort of place historic yarns might be spun and where the smell of booze is a beautiful thing.

2D banner

My memories of last year’s 2D Festival are alcohol-informed, though not all of it. Genuine laughter, smiles, education, dancing, positive feedback and great conversations. I scribbled notes during the panels but they’re hidden through travel, time and the War on paper-eating Silverfish.

I’d got into the centrally placed Sandino’s Friday night, a colloquial bar with a whiff of heart. Upstairs, ‘The State of Comic Art’ is underway, featuring at centre the visually recognisable D’Israeli and Rufus Dayglo. A seat opens up near Bridgeen Gillespie, but the tiny spirited bar is packed. The ‘Eclectic Micks’ panel right after discusses Irish comics art and industry, and Bridgeen may have went on a bit of a quality rant there. Like she did on this video Fractured Visions, a two-part open source documentary shot around the event.

Fractured Visions: Interview with Malachy Coney

Fractured Visions: 20 September 2009

[UPDATE: The films were made by Craig Smith, “PhD student with research interests including: motion comics, comics, animation, mobile games and digital media.” You can follow Craig @motioncomix on Twitter or via his eponymous weblog on wordpress.]

(Missing from original article, Screenshot from the documentary featuring Bridgeen, organiser David Campbell, Declan Shalvey, David Lloyd and Malachy Coney)

With thanks to Declan Shalvey’s blogging skills for filling in the gaps in my memory.

Cameraman and reporter stand with Dierdre de Barra and Hilary Lawler (Longstone Comics) the following morning. At the Verbal Arts Centre outside by Derry Walls, high and windy, and I can see the whole sprawling city below. It’s kinda magnificent. Inside I take my free table, a bit Friday-fragmented.

(Re-united with Paddy Brown after years and meeting Barrett and Paddy Lynch: that called for a few drinks)

Below: My hangover wears off. Sourced from the Irish Comics Wiki.

2d_andy_luke
The venue is quickly busy and my first chat with the public is a family and child asking me to draw Spider-Man. I’m flattered and panicked: I have the illustrative abilities of an earth-worm, oh, and most of my comix contain cussin. Heavy colouring pencils go into gear, but it’s still terrible. I send them away with a free, inoffensive comic. Sales trickle and rush, but there’s consistent quality interaction as many people come over for a look and a chat. On the edge of the central promenade, I have a clear visibility. When I nip off to check out the rest of the view, Brown is feverously out-sketching the beloved Will Simpson. The large upstairs hall of the Verbal Arts Centre is jammed, so I can only make it through the mosh pit to pass a gift onto David Lloyd before I’m carried out again. The centre’s hall is plastered with drawings from the children’s workshop: a monster drawing wall. D’Israeli has some good photo captures of that (such as the one below)

Monster Drawing Wall 2d by Matt Brooker

The evening session at Sandino’s included more panels and presentations. Whoops went up when Bryan Talbot announced he’d been presented with an honourary degree from Sunderland University for his work on Alice In Sunderland. Organiser David Campbell got in a few jars and distinctly treated me with a level of care and respect I very appreciated. The only flaw was one that every comics festival organiser makes: the venue was flooded with loud music, which cut conversation and willful intent to dance. Outside, the smokers and non-smokers gathered for those. I stood delicately on the fringes of conversations with Talbolt, Dayglo and Mike Collins and others. I wasn’t the only one with a romantic tear in my eye for a truly great festival experience.

Sheridan Cottage Updates

Over 2008 I wrote weekly for  ComicsVillage.com, during a very exciting time in the UK comix scene..

My columns are concerned with four aspects surrounding comics – social community, economic factors, festival and exhibition coverage and modes of distribution.

sherridancottage

Welcome to the twentieth Sheridan Cottage, and what is intended to be my final piece of comics journo-ism for some time. Nine months he says mercilessly, ah but with doubt, and oh, hope.

I’d like to say its all down to my involvement in re-launching Crisis (tipping Maxwell’s Earth) The truth is I’m sitting the final year of my degree – a mix made up of modules from Education and Human Development, History of Art, Sociology, Communications Media and Culture, International Relations and Film Studies. Oh, and Japanese.

This column went awright, didn’t it? I thought to round off I’d take a look at some of the areas I’ve covered over the run and see how things have played out.

That Gorramm Boycott

In the first column we reported on the steep issue of table costs at festivals. and the contentious and farcical effects of a small presser boycott. Before the article saw print I discovered I’d been named as a leading boycotter of the Web and Mini Comix Thing by London Underground Comics’ Oli Smith. Co-conspirator Leon Hewitt escaped with only a mild dose of ale tummy. It did get contentious though,
I take a holiday in India (6th-21st Jan)
Oli Smith tells Bugpowder.com’s Dan Fish I’m boycotting a major comics festival (Jan 20)
A thread of about 25 messages appears on the Thing message boards by the 22nd. (Organiser Pat Findlay deletes it and its not mentioned again. By then its gotten the LUC much publicity.)
Feb 2nd – I join the boycott of my own free will, concurring its a good idea.
Cliodhna Lyons and others making all sorts of assumptions about my nature as ‘mad’ and ‘scientist’.

(Pat makes another reference to emails between the two of us. Rather than his re-surfacing of these, they’re online here. Spoilers: It all ends in unpleasantness. Decide yourself.)

Instigator Oli Smith later challenges me with sabotaging ‘Low Energy Day’,
Oli was hoping to avoid overcrowding and create a social space.
Andy Luke was hoping to discuss the functionality of Bugpowder.com in a social space 
I back out, and Oli mentions it constantly, featured in Weekend Friends 2.

Can’t we all just get along ?
Next, happier times,

London Underground Comics

Approximarely a year old next week, Oli and THE Oliver Lambden among others have lined up a rather excellent looking one-year-aversary at the Prince Arthur Pub, London, Euston Station. The mart times with this years 24 Hour Comics Day, and Oli hopes the utility can fill the gap left by Gravett and ICA hosting of 24HR CMX Events. Check out the post here with the useful and informative YouTube vid.

Other Venues

A smart roundtable by Lyons, Dennis and Duff pushed the boat out further on thinking about new venues for selling comics. Jas Wilson had a rather interesting chat about this with me a few weeks ago. Jas has been shipping his book around as ‘a local product’, capitalising on community networks. Him & Her’s Smuggling Vacation is stocked at local hairdressers.

By Big Football Cup Match Day, Jas has approached landlords of his local pub about stocking copies of HIM AND HER’S somewhere prominent in the bar. I’m told half-time sales are very good.

There was also some talk about Olver and Laurence’s club nights. Some of these have been organised specifically to promote Tales From The Flat, with posters and cut-outs, and TFTF as a central image, and sales have been good. However, I did hear one tale of Oliver and Laurence showing up at a non-TFTF event and selling comics. Through word of mouth, their sales for that evening were in the hundreds. This is from a reliable source, but I’d treat it with a pinch of salt. Tasty.

For those who prefer the traditional route of shopping for comics around other comics venues I’ve also been informed that a leading comics mart dealer is seriously looking into opening mart days up to small pressers. I’m under embargo for divulging more details at present, but prep for it if you think you might like to add more exhibition tour dates in cities.

Maps At The Crossroads

Our two-part Maps At The Crossroads column delivered a snapshot of some of the comics scene on March 22nd in London, and probably generated more interest than anything else I’ve done.

I was told that the use of the Great Hall, Queen Mary University for an arts and crafts fair couldnt be arranged because of new decisions by the board of Governors relating to sales in that space. An Arts and Crafts event fell under the category of ‘non-commercial use’.  I reported that the Web and Mini Comix Thing was likely to be the last in that venue. Several months ago, another researcher got in touch with the news that the venue was now available for rent, at the price of 2,000pounds. This confirms analysis by Oli Smith.

Last weekend Pat Findlay announced the UK Web and Mini Comix Thing 2009 over at http://www.ukwebcomixthing.co.uk
Table costs appear to have remained the same as last year’s controversial hike.on a scale of 50pounds to 70pounds, depending on booking, and 3pounds per additional assistant. This has already generated some response on the forum.

Last year’s Thing, was, depending on who you talk to
“a great time”
“thanks for making it all possible”
“it was just dead”
“Arctic”
“Nothing seemed to be happening..no-one was talking to one another….and what was with that panel ?”
“He treated us all like we were schoolkids”
“There was no coffee…for miles”
“The panel was even quite good”
“There were drawing pads on the stage”

I’ll be boycotting the Thing as an exhibitor this year. Ironically, this column will probably lead to one of the first table bookings!

Where did Jack Brodies Go?

Rich Johnston, Teacake Comics and many others were pretty excited about Jack Brodies, the Camden-based comics shop and gallery which also sold tea, coffee, pastries and cakes. In dialogue with David Bircham, he too was pretty excited. The shop looked great and aesthetically, it was a real pleaser.

David had been talking to me about the official launch party on the 22nd, and “seemed pretty excited by the buzz I’d generated, and the material I’d been linking to.” However, the line went down and Jack Brodies ceased trading sometime after March 16, 2008, less than a month after opening. A London Underground Comics source casually mentioned its closure Mid-May.

Daley Osiyemi stated, “We decided to put Jack Brodies on hold for now while we try and move the publishing side of the business forward”. (May 29) The storefront remains fully decorated with the shutters down.

Growing Your Own Comics Festival

There seemed to me to be a surge in mini-cons or ‘pubcons’ this year. Jimi Gherkin with effort has been promoting theHandmade and Bound Event in London on Saturday 8 November. Ooh, and theres also DJs and bands that evening.

Jimi’s event site has some great links for small press.

Such as the London-based Small Publishers Fair on 24-25 October

Notes On Content

I did a bit of mouthing off about political and ethical content in comics. I’ve not yet bought a copy of Cliodhna Lyons “Sorry I can’t take your call but I’m off saving the world” anthology, but it is out and available from various comic shops, Lyons tour dates and the website, http://www.goalanthology.com/

The Paper Tiger Comix War Anthology in aid of CAAT has still not been released. Its been in development for two years. Sean Duffield is likely to prioritise it if you donate some money or time to Campaign Against Arms Trade (CAAT) .

At ‘No Barcodes’ I also picked up the Do You Want To Kiss It Better?  collective’s first comic ‘Green’. “Printed on 100% recycled paper with inks based on vegetable oil from a press powered by wind turbines” It also features work by Rufus Dayglo and Leonie O’ Moore.

Truthfully, theres political agenda cartoonists aplenty if you want to find them – they just don’t bubble to the surface as often as folks more immersed in the comics community as I’ve been reading it..
So as much for me as for you,

John Stuart Clark (aka Brick)  http://www.brickbats.co.uk/ 
Polyp http://www.polyp.org.uk/
Cartoon Kate Evans http://www.cartoonkate.co.uk/
Kate Charlesworth http://www.katecharlesworth.com/
Luke Warm http://autografix.com

Dan Lester

Dan Lester has been making good on his committment to produce one 24hr comic per month for a year. With one “noble failure” and a few close calls under his belt, a few of these are archived at his blog. ‘Who Is Dan Lester?’ and ‘Ivan’s Comic’ join ‘The New Adventures of Bruce Lee’ and ‘Broken Hippos’ at http://sleazydanlester.blogspot.com/

His final piece in this series is due soon.

Comics At Markets

I’ve not yet had an opportunity to re-visit Oxford Market to sell comics, though a few dates from 17th December and another six dates over that period are open to me. Deirdre Ruane, Tom McNally and Aaron Murphy have expressed an interest in being involveed. I’ll put a flag up over Bugpowder.com when something comes up.

Bics 2008

A great success for me in terms of the social success. I got to hang with the organisers, professsionals and professionals. Socially, I was made aware regardless of whether folk have a good time as I did, that theres more of an excessive hedonism potential in large festivals. Small pressers get drunk and revel, but set them amongst professionals with established drinking records and things seem to be a little more uneven. The Friends of Shane Chebsey Foundation have asked that I not focus on  this too much. The Friends of Andy Luke League concur.

I also learned that Shane Chebsey’s Smallzone stake in Infinity & Beyond Comics, Shrewsbury, has within it ‘Heroes’, a coffee shop. Featured are a large white coffee called ‘The White Queen’ and other themed coffees and milkshakes, with names like ‘The Supersoldier Serum’.

Infinity & Beyond, 31 Castle St, Shrewsbury, SY1 2BQ. The mail order website ishttp://www.infinitybeyond.co.uk/store/home.php

Shane tells me that BICS 2008’s financial outcome this year, was that they “didnt lose any money”, and are “in the black”. Chebbo is quite “proud of what were achieved”.

“We all had a good time”, indeed. Most folk there can’t have failed to have been charmed by the two promoters of the Leeds Thought Bubble Festival, who seemed to be working every table in a calm, professional and friendly manner. I’d love to be able to make it this year.

And I got a rather awesome BICS T-Shirt for my gophering efforts.

Likewise with the charm were the reps for Derry’s 2-D Comics Festival. Local cultural sponsorship has enabled them to provide exhibitor space for free again next year. Word coming out of the event last year was quite complimentary. The date has been set (already) as (from recollection) 13-14 June, but why not drop David an email through a website visit to confirm ?

The Jam Factory Oxford

So far there has been no response from the venue regarding my interest in the institution of a written contract between them and their exhibiting artists. Anyone fancy some cyber-activism ?

Out of Office 

Expect to see a one-off Sheridan Cottage roundtable covering the issues raised here in the next six months. Co-hosted by myself and Matt Badham with a plethora of industry figures on board. In the meantime, the comments sections are still there.

I’ll be back, who knows when ? Sometimes folk need to get away from comics talk for a while. My feeling is that comics are the antidote to the rigours, and should remain in the background. Medicalisation is a dangerous game.

That said I’m anxiously anticipating my next comic pick-up, including Lamben and Smith’s Bloc. You wanna see the preview.

-Love and Well Wishes
Andrew Luke
Comics Journalist on Sabbatical