Post NanoWrimo Roundup

[Link] Spide: The Lost Tribes has been released today in print through Amazon.

[Link] Four by the week posts on my NanoWrimo experience.

[Link] to interview with Eileen Walsh of Derry Drive 105 were we talk about 24 hour comics, Absence, Spide and NaNoWrimo.

[Link] I’ll be reading brand new poetry at Mixed Jam, on December 10th from 5-7pm. That’s at East Belfast’s 248 East Bistro, which is a lovely venue.

I am about to steal your watch.

Hello your name man

The Watch Thief is going great, I rate it right up among my best/your favourite here. A few patrons are braving monthly donations. On June 7th #BelfastBookFest I’ll be unleashing The Watch Thief into free cyberspace, every weekday, and waking up ALL THE KITTENS. I see T-shirts. I see other writers run to me. In my dreams and heart, I’m relatively happy.

The first act was finished over a good cup of coffee this afternoon, in the shade. I’m working between my Ballyhackamore home, the city’s Farset Labs and The Intercontinental Bar open space on Ravenhill. Ignacz The Watch Thief is set to five days a week as it’s been doing on Patreon. Subscribers already have the first three chapters. It’s only 80p a month, for goodness sake. That’s cheaper than the Green Party! Or if you can afford the best book of the year, £3 a month gets you weekly commentaries, a freMoniaive 2017e comic, art by Ruairi Coleman and John Robbins, and today, a poem called Omelette Day. I’m really very grateful to everyone who signed up.

A few shout-outs:
Alan and Sue Grant are running the Moniave Village Comics Festival, that’s somewhere in Dumfries and Galloway. That’s 10th-11th June, reasonable admission, and great contemporaries guesting such as MacManus, Nero, Bishop, Collins, Handley, Dobbyn, Emerson and McShane.  Contact sue grant 23 at

Comic Book Guys have moved to their new store on 110 Great Victoria Street, just beforeIMG_20170526_170526 Shaftsbury Square. It’s new, snazzy boutique appealing and I do hope you visit them. If you’re looking for print copies of We Shall Not Be Stapled they’re the only place with stock left. Tell Aaron (or Austin) you want to buy stuff, jabroni.

On the subject of comic shop patrons, my thanks to Malachy Coney at Forbidden Planet Belfast. Malachy interviewed me about Axel America for the Facebook page. Malachy’s one of the sweetest, smartest and most interesting people in comics, though lesser spotted unless you’re an FPI regular. You can read his own blog, Curiouser and Curiouser, here.

Next week, I’m recording a process video for Patreon and doing final takes on the all-access promo. As well as new Watch Thief, I’m finalising plot structure for a M.A.S.H.-like situation comedy novel. Then, Sarah and I are off to Achill Island for a few days. If you’re good I’ll bring you back gifts.

Don’t do anything I wouldn’t do. Just do anything.

Homespun Fun Comics

I managed to take some time last month for a social trip around England, kicking off with the Midwinter Comics Retreat, hosted by Sophie in her family home. This year was a bit different as I joined Jay Eales on the writing duties, shipping out scripts to seven artists. The experience was true to the MCR ethos of ‘fun comics’ and I feel enthused and inspired about making comics in the future. Crisis on Infinite Captions should be out from Factor Fiction Press later this year. Thanks particularly to Sophie, Jenni & Richard,  Arsalan, Glenys, Sean, Ciaran & Adrian and Suzanne for making it a holiday I won’t forget.

Helen Gomez runs The Girly Comic Club, an event in which she opens her home to trusted friends to draw comics two or three times a month. Isn’t that a beautiful thing? To come off wet streets and get handed a cup of tea, some cake, and draw comics in comfortable surroundings! Four or five people collaborating on a mini-comic or two, within hours! I’m hoping to try hosting something similar soon. It’ll be a LGBT-friendly called Boys Club, of course.

If you’d like to see what we’ve been up to try a wee comic-zine about Houses, or ones about Jeans or Monkies.

Sam Finnegan has attended a few of these. He’s a cartoonist in Bangor, NI, working out of Boom! Studios, and now SyncSpace in Dufferin. Sam has set up a zine and comics library there, with a great gallery, a regular Flea Market event (on Sundays), and some prog art exhibits planned.

An update on the Axel America coverage in form of a reading given at The Book Reserve. It’s from Chapter 10 a.k.a Masculinity Under Threat: The Effeminate Ephemera of FEMA. I also got a nice column in the February edition of Writing Magazine, and a mutual love-and-anger chat with Rob and Janelle Alex of the Authors Talk About It Podcast. And you can now buy Axel America at SyncSpace!


Off to the White House

Or rather The Green Room…


Of The Black Box, Belfast.


That’s this Monday, just around from the Duke of York where I’ll be tasting beer after.

The books have arrived, big chunky things. Michael at Northern Visions TV assures me he’ll be getting through it before we shoot on Friday for two shows: Focal Point (news), and Novel Ideas. 

the call

Tomorrow, I’ll be in Dublin to talk to sellers, meet some pals and attend the launch of The Call, a new novel by Peadar Ó Guilín. He’ll be in Easons with Oisín McGann and a group of fans and pals. (Link: FB event) It’s published by Scholastic/Fickling and is a children’s book about child abduction (!) by the Sidhe faeries. [More about that on Publisher’s Weekly]

The Axel America Election Tour has begun, kicking off with the folks at Downbelow, a podcast about Babylon 5. A double episode on Secrets of the Soul (dismissed), and Day of the Dead (applauded). I took a while to warm, fighting the prevailing opinion on the first episode, but I was roundly welcomed and it put me in a good mood to start. (Thanks Ian for the on-air sale!)

Next day, the first of the email interviews with Pro Media Mag, and talking to Seemi about comics and the making of The Invisible Artist show. I really enjoyed this one and you can find it linked with the others on the Axel America page

The weekend began with a night out at Sector 13, a local group of ‘mature’ comics readers and cosplayers. I was picked up by Peter Duncan of great British comics blog Splank!, and we hooked up with social Laurence McKenna, Paddy Brown (soon appearing in Hawaiian shirts), the jovial Ryan Brown, the omnipresent stoic Bruce Logan, teller of tales Glenn Fabry and Ishtar, an author visiting Glenn from Brighton. It was a night of fine craic and welcoming faces and I’d recommend it for folks in the area. More setting up and more interviews. Writers Community is a local site with an interview. Alan asked me questions where I’ve gone into the mechanics and politics of the book, and given some advice on writing.

Old friend Ciaran Flanagan phoned me up on Sunday for a segment on the ComicCityCast and it was a delightful lapse into casual (but excitable) chat about the origins of the book and where it is now. On Monday, US blog Literary Links got in touch to ask about Axel’s showbiz links and the creative lifestyle.

Today, it’s more attempts to bribe journalists and bloggers with a free lunch, and some house tidying so when publisher Andrew arrives on Monday, he isn’t sleeping in a hammock of cobwebs. Keep an eye to @TheAxelAmerica – there’s things I’ll announce there that have blown our socks off.

Oh, just time to mention Wilde - Stephen Downey

Me old pal Stephen Downey is working on a game based off the beloved comic, created with Rob Curley and Maura McHugh. For those unfamiliar, Jennifer Wilde follows a French artist and Oscar’s ghost as they solve mysteries in London, Paris and New York.

Enniskillen Comics Fest

I’ve told less than ten people this month, and now I can reveal I’ll be interviewing Alan Grant, the Guest of Honour at the first Enniskillen Comics Festival. Phew! Alan, is of course, a massive influence on comics, having co-written most classic Judge Dredd stories, thirty years, about ten years on the US Batman comics. He’s the author of some of my favourites: The Bogie Man; the House of Daemon, Manix and Doomlord for Eagle. He’s written Lobo and L.E.G.I.O.N. and JLA for DC, but it’s 2000AD for which he’s best known, on Strontium Dog, Ace Trucking, Robo Hunter and Judge Anderson.

Massive, massive honour. I expected to be the last person to be called on, never having been with the Class of ’77 hardcore 2000AD fans. The organisers, gods bless their mad, mad minds, think I’m a unique choice. Well, you could say that. I’m giving this my best and hope to do Alan and yourselves proud.

Closer to my comfort zone is the self-publishing panel I’ve been asked to host. I’ve been on ten of these and hosted a few. This time I’m putting together something with a lot of pizzazz and I’d really like attendees to put their heads through the door. I’m pleased to announce those joining me are Una Gallagher (Two Lives, Faust, Something in the Tae), Austin Flanagan (The Revenants), Jenika Ioffreda (Vampire Freestyle, Midnight Tea), Danny McLaughlin (Zombies Hi, Andrew’s Comic, Revolve Comics.) and…oh, I couldn’t possibly say. We’ll be talking about more than the boring copy-shop slog, we’ll be talking character and story, ghouls and tea. Please come by.

The Enniskillen Comics Fest is the first such event in the town. It’s a free event with an all-ages focus and a wise choice by the Arts Council funding body. It’s on May 6th-7th, at the McArthur Hall, Wesley Street, and Enniskillen Library on Halls Lane, just five minutes walk. Just look at who they’ve got:

All that linkage! No biggie, I had all the info to hand for posting to their Twitter account, which you can search for. My friends at The Comic City podcast are doing a feature on the Fest in the next few days so keep an eye out for that, or visit the #EknComicFest Facebook page for more details.




New Book Days

Well, finally it has arrived.product_thumbnail

To End All Wars – The Graphic Anthology (TEAW as we’re calling it), was worth the wait, for it’s a prestigious brilliant collection. Editors Clode and Brick and publishers Soaring Penguin have done a bang up job. You can get the 320 page hardcover from Amazon for £13, or if you’re feeling generous, £18 from the publisher. £2 from each edition goes to Doctors Without Borders.

To my surprise, another graphic novel with a few pages from me in it popped up this week. Factor Fiction Press published the Midwinter Comics Retreat Flipbook which comprises Project Gogglebox and Tea And Relative Diffusions In Shropshire. It’s 56 pages, and with postage comes to £6.50 from Lulu.

Something tells me I’m not quite done  making comics as I thought…

Last week, I appeared on Bangor Community Radio with Arts Hour host Ellie McKee to talk about the book. Both of us were short on sleep but managed to get a competent broadcast out. Listen for me turning the tables on Ellie around the 17 minute mark.



Here’s a video put together by Brick to show off TEAW. You could play it while listening to the interview, but you’d be missing out on the wonderful soundtrack he sourced.

Ellie’s Four Season Summer is out now for Kindle at this link-up, and Season’s End will follow on August 31st.

Four Season Summer Seasons End Out August 31st



Treading the Boards

If you’re near Glasgow this week you can get along to ‘Guide Gods’, were performer Claire Cunningham explores religious narrative and faith through dance, live music, humour and audio interviews with religious leaders, academics, deaf and disabled people, and me.

Guide Gods

Claire’s website has a list of this week’s dates  and according to Composer Derek Nisbet on his Guide Gods blog, the show “is part of the Glasgow 2014 Cultural Programme, and will then travel to London’s South Bank Centre and on to Belfast Festival.”

Recently I’ve struck up rather nice working relationships over Open Mic sessions with musician Jim McClean  and actress Lindsey Mitchell. To this end we’re working on a play together, a condensed Game of Thrones play. We’ll be performing the comic act at the Sunflower Festival, TitanCon and are talking of a screening of the play at a well-known Belfast gallery.

Writing this, I’m surprised that my voice is making the transition to theatre. This last year, it’s been all about the writing. Writing prose over, scriptwriting for comics, feels refreshing and liberating. I feel like I can earn some money if I work hard enough. Unlike comics. a beautiful medium, were grossly underpaid workers are slowly subsumed by a culture of silverfish turned woodworm rot.


Writing prose is enough of a departure from scriptwriting to enthuse: I feel like an amateur who can achieve professionalism and a paycheque. Knowing I have a lot to learn is a great feeling. I’ve been encouraged by the Belfast Writers Group and open mic audiences at Skainos and Lindores. Last month, I applied to return to university on a Creative Writing Masters so I can up my practice.

Parting shot to the world of comics (for now), is the short, Bottomley – Brand of Britain. The product of much research, it’s been adapted with care by artist Ruairi Coleman and letterer John Robbins. Here’s how editor Jonathan Clode pitches it:

Horatio Bottomley, patriot and publisher of John Bull, the newspaper of the people. But behind his rousing public speeches and staunch support of the troops hides a conspiracy that would reveal one of the greatest swindles of WW1.

That’s Bottomley’s mistress, Peggy Primrose, in Panel 4, putting her hat back on after it was knocked off in the squash.

The tale appears in To End All Wars, a remarkable 320 page graphic novel with  stories by a number of established underground comixers. It features the return of the  remarkable Steven Martin of WW1 comics series, Terrible Sunrise, as well as Jenny Linn-Cole, The Pleece Brothers, Sean Michael Wilson, Joe Gordon, Selina Lock, Steve Earles, Robert Brown, John Maybury and shedloads of others.

The book is released on July 17. Copies are available for pre-order now on Amazon or, at the same price, direct from publisher John Anderson at Soaring Penguin Press. Costs £18 all inclusive and proceeds go to Médecins Sans Frontières/Doctors Without Borders.

The Invisible Artist: Youtube with Subtitles

The Invisible Artist: a contemporary history of Belfast’s comic book culture is a 2011 TV documentary written and presented by Andrew Luke and directed by Carl Boyle for Belfast station NVTV. Patrick Brown was interviewed, and also provided much of the research that went into the film. Other interviewees include John Killen of the Linen Hall Library about his exhibition, The Unkindest Cut, of political cartoons about Northern Ireland in the 20th century,Davy FrancisJohn Farrelly, Jim McKevitt, owner of Atomic Collectables, P. J. Holden and Stephen Downey.

Subtitles are exhausting. Your feedback is still appreciated.

Paddy Lynch – Countdown to Dublin Zine Fair (1)

In the run up to the two-day event taking place at The SupaFast Building near Capel Street starting Saturday, I decided to have a chat with a man well known on both the comics and zine scene, the interesting Paddy Lynch.

Page 11, Issue 1 of Lynch’s Last Bus

Page 11, Issue 1 of Lynch’s Last Bus

Patrick, hope you’re well! It’s an exciting time to be you so it seems. Big Jim, (your book about the infamous trade unionist leader), Stray Lines (a cutting edge anthology with the Hughes brothers, the Judge brothers and the Barrett man) How would you introduce yourself and your work to someone at the Dublin Zine Fair who has never heard of you before? Y’know. If I’m sitting on the other side of the room.

Hi Andrew. I’m very well thank you -very excited about those two projects that you mentioned. It’s been a good while since I’ve released anything substantial so I’m very much looking forward to getting these books in front of peoples eyes.

Generally I would introduce myself as Paddy Lynch, and if I’m asked to describe my work I would usually say it’s ‘observational slice of life fiction’ or perhaps ‘kitchen-sink tragicomic character studies without the tragedy, or comedy’. Is that too evasive? I guess I’m quite interested in how people reveal the flaws and weaknesses that unite us all through their actions, despite whatever outward impression they may give off. That’s a theme that seems to keep coming up again and again in my work.

You’ve done quite a few of these fairs now. How would you define your relationship with the punters?

Andy, you should know better than to ask me to define anything. I don’t think I’ve ever had a fight with a punter, so I imagine our relationship is pretty solid. That hardest thing I find about this is battling preconceptions of what ‘comics’ are, but I find people at zine fairs are usually quite open-minded and very receptive to the type of work I produce. I often do better at these events than I do at the more traditional comic convention.

Last Bus by Paddy Lynch

Last Bus by Paddy Lynch

StrayLines, A Comic Book Anthology from Paddy Lynch on Vimeo.

This weekend, what are you looking forward to most?

Meeting punters, chatting to them and other zine/comic makers and the general inspirational boost you get from this. Hopefully seeing new work from people such as Elida Maiques, Colm Wood, Phil Barrett, Deridre deBarra.

Anything you’re dreading? You’re not allergic to nuts are you?

The inevitable question – “so what new material do you have?” Unfortunately I have no new books ready (Stray Lines is set to launch in late September, and Big Jim will be out in early 2013). But it will be a good chance for people to pick up the various mini comics that I don’t sell online.

LARKIN !‘Big Jim’, written by Rory McConville and published through O’Brien Press.

LARKIN !‘Big Jim’, written by Rory McConville and published through O’Brien Press.


And finally – any message for the people out there reading this thinking, I’d love to be able to be adored for my version of Bat-Man / recipe for anti-government brownies, and wondering how to get there?

Don’t wait on someone else’s approval to do it. Making and self-publishing a zine/comic/whatever is an incredibly rewarding and empowering thing to experience.

Thanks for the chat Andy- see you on Saturday!

My fingers are covered with printer ink and my bag has four things in it. Plenty of room for comics and zines then.

Stray-Lines-217x300 (1)

You can find out more about Paddy’s work at his website, including updates from the Big Jim project.  (Which respectfully, ICN ran an exclusive on in February) You can learn more about Stray Lines via the website or go direct to

The Zine Fair is managed by Sarah Bracken. Click through the image below to go to her website. 


The questions in this interview were built from models supplied by London’s bounciest superhero, David Baillie.


Karen Browett – Countdown to Dublin Zine Fair (2)

This week I’m interviewing a number of comics and zine creators in preparation for the two-day free Dublin Zine Fair at the SupaFast Building, near Capel Street. Today, Karen Browett.

Hi Karen, hope you’re well! I know you’re the comixer behind Astro Chimp and have made some band posters in the past, but besides that I haven’t a clue. I’m out of touch you see, made old by reading too much of Sir Rich Moorisselller’s unisex power fantasy comic The Midgey, published by Coke. Patrick Lynch said I should talk to you, and he’s really cool. How would you introduce yourself and your work to someone at The SupaFast Building next Saturday?

Your right, Paddy is awesome! I would introduce myself by a high 5 I guess? It’s my favorite hello.

I am a picture maker and appreciator. For the zine fair, Im representing Wereworms (Tumblr,Facebook) which is a four person art collective. We generally work in the independent music scene, making gig posters, screen printed merch and album covers, but also make art for arts sake together and have put together things like zines, prints of personal work and more. It’s great getting to work with such talented people. The idea was to form a design group of different styled but similarly minded artists that could be contacted by bands, promoters etc when they needed artwork or merch, and that they would be able to either send us a general commission, or personally pick one of our artists from the portfolios. We also sell our work through a growing number of outlets, so we are playing with the idea that we could offer a cheaper price on bulk merch etc if the band wanted us to distribute and sell a certain amount of the work ourselves. Beyond that, we just love working together, so we keep on making stuff anyway, and can often be found at stalls at gigs and independent media events selling personal and commissioned work. It’s a very open and free group with little boundries on what we do which I absolutely love.


The work I do with Wereworms tends to fall somewhat into the darker/psychedelic/more for adults brackets of art, and I get to grapple with graphic design and creative typography allot. This differs from the other side of my work which is largely as an illustrator. My style of illustration is more suited to children’s books and goofy comics, and is largely based on my stupid sense of humour. Astro Chimp was a really fun comic to do, and you have reminded me that issue 3 is long overdue. It’s about a monkey who was kidnapped and sent to space. Very literary.

A page from Karen Browett’s Astro Chimp –  Wow

A page from Karen Browett’s Astro Chimp – Wow

For my personal illustration work I would love to get more editorial work or a strip in a magazine, but at the moment am focused on a short story I am trying to finish illustrating. My Grandpa ‘Pop’ was an artist for The Dandy and lots of newspaper comic strips and children’s books, and growing up around him I decided that it was the best job ever, so I put myself through endless poverty on the quest to be able to do this full time too! Here is my blog of illustration work, and my general portfolio is up on behance here

You’ve just gotten back from another festival. What sort of relationship do you have with your punters?

I like to be as involved as possible. Especially since so much of the work Im involved in is to some kind of commission/brief. With Wereworms I feel it’s really important to keep up a presence by having stalls at gigs, markets and other events. With the gig scene, ourselves and the bands we create work for would work very closely and generally be very familiar with each other. We want people to be comfortable approaching us and able to be involved in the creative process. They can openly talk to us and view our work, and we can watch the bands and chat to the promoters, and therefore have a full comprehension of what they want. The art and aesthetics of a band are important and should tie together with the sound, and when a group of people have put so much talent and creativity in to such a personal and unique thing as a band, they usually have a vision of how they picture it on paper. You need to be able to pick up on where they are coming from and what they are trying to put across. Being an active part of the music scene that you work in is vital in that instance to understanding those you work with.


I come from the D.I.Y. punk scene, which has grown over the years to encapsulate a lot more than that, but has always been a really healthy, connected, creative and highly supportive scene. The message has always been that you can do things for yourself. If you love music, pick up an instrument and play it, if you love to draw or write, make some zines and put them out there. Whatever you want to do there is a network of people who are all tentatively finding their feet doing something they are interested in and love. Whatever you can offer or do is supported and encouraged, and people don’t need to worry about not being ‘good enough’ or being held back by external factors such as money for example. In the scene I grew up in, if you want to do something, you really just learn to do it. I wanted to screen print so I looked up plans online and build the equipment. Thats how I learnt what I know, no way I could afford the real stuff and there was no specific training about it at the time in terms of courses, and I couldn’t have afforded established studios I could have joined. Of course I was crap at it for a time, and the equipment I built had tons of unforeseen problems, but thats the only way to learn, and people are largely there to support that, not take you down. The D.I.Y. and generally the independent music scene as a whole is more of a community than anything else and it’s essential be be on both sides of it, to produce/create and appreciate/support. The work we make feeds directly from all thats around us and I hope can feed others in return. An artist who stays in the studio all the time is as useful as a guitar virtuoso who is to afraid to join a band. I believe that you have to continue to participate, or you allow yourself to stagnate and become full of ideas of things you would have liked to have done with people, work you would have liked to have been chosen for if you only were more involved with people. In short, without the people my work would cease to be valid and would stop growing creatively. So talking with people and being involved is essential.

Karen Browett – Astro Chimp (2010)

Karen Browett – Astro Chimp (2010)

What are you looking forward to most next weekend?

Seeing all the other tables. Im always amazed by the amount of talent at zine fairs and independent markets. Especially since in the various underground scenes, there is so much going on that you might not be aware of. Since the internet really took over, I find that while you can build connections fast online, lots of things become lost within groups of friends on social networking media. For example, a gig could happen where your favorite band might come over, but if you aren’t online friends with the promoter or one of the support bands, you might not even hear about it. Social networking is great, but people don’t promote things at as grassroots a level anymore, its more ‘sure I whacked it up on facebook/tumbr etc so people know about it.’ I see less physical zines, posters, stickers, freesheets etc around the place as the internet becomes more and more the platform for peoples work. Im really really looking forward to seeing all the new work and new artists and writers. I’m one of those odd people who when they like art or zines, they want to touch them, smell the ink, feel what paper was chosen etc. The physical heart and soul of the work really comes through when you get to hold, look at and leaf through peoples zines and art.

Im also really just looking forward to being able to talk to people into the same things and have a good buzz, there’s some really great heads involved, incredibly hard workers too who I have a lot of respect for.

Anything you’re dreading?

Counting. I hate that bit of stalls! Counting and change. It’s cold sweat territory when someone wants more than one thing, despite how used to this I should be! I’ll fill up on coffee and change and bring a calculator this time just to be sure of everything! If you end up trying to get anything from me, be patient with me if I look like I’ve had a lobotomy when you ask how much it is!

Karen Browett – The Road -part of a project drawing a page of comics from a page of film script

Karen Browett – The Road -part of a project drawing a page of comics from a page of film script

And finally – any message for the people out there, reading this, wishing that they too were a fashionable publisher, yet personally creative; cool and developing?

haha I don’t know about that! Honestly though, what you do is in your own hands. If you want to draw, print, write, publish etc, just find a way to do it. Don’t procrastinate or get caught up in the finer details and the things that hold you back. If no one will publish you, publish yourself as a zine or art book, contact people and send it out, bring it to small shops and events, do all you can with it. Don’t be precious about it. If its something you love doing, its not the only thing you’ll ever produce, so throw it out there and then keep throwing out more stuff again and again as you make it. There is no such thing as ‘not able to’ or ‘no point’ when it comes to having a desire to being creative. Subjecting yourself to those restrictions is usually a way of making personal excuses not to push yourself. To use a cliche, the world is yours. Try as hard as you can to spend as much time in it striving to do what makes you happy. If you want to be an artist as a hobby or a way of spending your free time, just do it, get it out there. If you want it as a sustainable career, work your absolute balls off. Live it breath it be it, because a billion other people do too, but if you put everything you have consistently into what you want to do, it will pay off. What starts small, if its worked on with all your heart and pushed, does go further and further every time you do it. Slowly but surely.

If anyone is interested in illustrating, specifically, I did a hnd in Illustration in B.C.F.E., co-ordinated by illustrator Margaret Anne Suggs, and honestly is was the most amazing course. It’s so encouraging, and the tutors are so full of knowledge, advice and guidance. It’s more like a family than a college there, and I grew about 5 years in terms of my work over the 2 years of the course. By the end you will have a full portfolio to show people and it’s well worth a look if your serious about trying to become a commercial artist in some capacity.

Thanks Karen. You can check out the awesome of Astro Chimp at Karen’s blog, and the WereWorms collective on Tumblr and Facebook.


The Zine Fair is managed by Sarah Bracken. Click through to her website.

The questions in this interview were built from models
supplied by London’s bounciest superhero, David Baillie.